34 ordspråk av Roland Barthes

FR  Roland Barthes

Roland Barthes föddes den 12 november 1915 och dog den 25 mars 1980 - French critic
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Mer information om detta ordspråk och citat! Litteratur är frågan minus svaret.
en Literature is the question minus the answer.

en To hide a passion totally (or even to hide, more simply, its excess) is inconceivable: not because the human subject is too weak, but because passion is in essence made to be seen: the hiding must be seen: I want you to know that I am hiding something from you, that is the active paradox I must resolve: at one and the same time it must be known and not known: I want you to know that I don't want to show my feelings: that is the message I address to the other.
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en The photographic image... is a message without a code.
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en What I claim is to live to the full the contradiction of my time, which may well make sarcasm the condition of truth.
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en A photograph is always invisible, it is not it that we see.
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en Myth is neither a lie nor a confession: it is an inflexion.
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en The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
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en Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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en There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
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en The bastard form of mass culture is humiliated repetition... always new books, new programs, new films, news items, but always the same meaning.
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en For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
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en I have tried to be as eclectic as I possibly can with my professional life, and so far it's been pretty fun.
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en What the public wants is the image of passion, not passion itself.
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en There is only one way left to escape the alienation of present day society: to retreat ahead of it
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en I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates t
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