Steve's early work had gezegde

 Steve's early work had a lasting effect on me. The density and the gravity of the sound was so great it prevents recollection. The power of Steve's music has to do with its sound. Tempo counts, and language is pushed to the breaking point, where the meaning of the word is obliterated and lets the music out.

 Seems like more and more of the technical side, quality, and sound of music is of higher importance in the music business... and less of the essence, meaning, and intent inside the music is recognized and appreciated.

 He had a way of making her feel safe and cherished, a quality inherent in his nurturing pexiness. Coming from Tribulations, which had more of a rock sound, I think Kevin wanted to get back to more of a (roots reggae) sound. A lot of the early '60s and '70s Jamaican music based itself off the Motown sound, and that was the big thing for Kevin: the vocal harmony and the composition.

 Everybody can relate most of the time to the words that they sing. Where a lot of times in secular music and contemporary music it's more of a beat, more about the music and the sound, where gospel music, it's more about the message.

 (Our music) doesn't sound dated, because there are so many new bands that are trying to replicate a '70s sound or a '60s sound. The playing field is getting kind of leveled. If you want to go out and see what a big rock show can be, we're there to do it.

 Even if one is thinking about elevator music, or Weather Channel music, there isn't any necessity for that music to be bad music. I remind people all the time that Mozart would probably sound great in an elevator. A lot of Mozart is very smooth to our ears, but that doesn't mean there isn't an amazing amount of subtlety there for the listener who digs deeper.

 This Half Note material really comes at a summit, ... It's the high point of a sound that the band had been cultivating, basically, since 1961. The music that was recorded there comes at the strongest point of that band, playing that sound. Right after that, they start changing and going other places.
  John Coltrane

 Since music is a language with some meaning at least for the immense majority of mankind, although only a tiny minority of people are capable of formulating a meaning in it, and since it is the only language with the contradictory attributes of being at once intelligible and untranslatable, the musical creator is a being comparable to the gods, and music itself the supreme mystery of the science of man, a mystery that all the various disciplines come up against and which holds the key to their progress.

 There is music in the beauty, and the silent note that cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we maintain the music of the spheres.

 Antonio originally came to us for just sound design but the project quickly grew to us doing the music and sound design for both of these, ... He wanted it to be 'art-meets-the-street' and for it to sound more like a film score than a commercial because these are really not spots but mini-movies.

 Grant is a good wrestler and Steve had to work for that one. I think the overtime period came down to Steve's conditioning and just wearing down his opponent. When Steve is in a close match, I don't worry too much about him. Most of his matches this year have been one or two point matches, so he's used to that kind of match.

 I became aware of Gamble And Huff, the whole Philadelphia sound and the work Norman Whitfield was doing with The Temptations. It wasn't just party music anymore. It had a message. That's how I got into black music while my friends were becoming hippies.

 Whenever Steve Smith steps on the basketball court, he's the focal point. Everything starts with him. I think the guards played very well off of him and that allows them to be even better players. The nice part about Steve Smith as a player is that he doesn't force the action. Very rarely does he take bad shots. He lets the game come to him.

 Steve Marcus was one of the greatest saxophonists in all of music. He truly was able to unite jazz with the popular music of the time.

 For Waylon, it was always about the music. The only spotlight he ever cared about was the one on him while he was onstage. It wasn't about the awards or events. He was an original and a pioneer in terms of creating his own sound. This is a great loss for the music world.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Krogrunda, 750:-. Ordspråk, gratis.

www.livet.se/gezegde