For lack of a gezegde

 For lack of a better word, we jammed a bit in the studio, which is something we've never done before. I think the record will end up being a combination of doing it the way we've always done it and trying different stuff like that.

 I've been writing some new stuff, and I can't wait to start the next record, ... I'm probably going to head back into the studio November or December, and I'm just going to work with a bunch of producers and songwriters and try to put out an even better record.

 I went to the studio around midnight, ... We started talking about maybe me doing some bass lines for the record. I had this white, fretless six-string bass I thought would be amazing for hip-hop and we jammed all night, until like seven the next morning — just RZA, GZA and me, going off on weird beats and playing weird time signatures.

 I went to the studio around midnight. We started talking about maybe me doing some bass lines for the record. I had this white, fretless six-string bass I thought would be amazing for hip-hop and we jammed all night, until like seven the next morning — just RZA, GZA and me, going off on weird beats and playing weird time signatures.

 Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

 Honestly, this is the best record - obviously - that we've ever done in the studio. You can't argue with that. It's not to knock what we've done in the past - they have their time and place - but I don't think I've ever felt that comfortable before in the studio. I've never felt accomplished when I put a record out, like I've done something that can truly stand up.

 We started off making a full album with Brendan in his studio in Detroit and had nine or 10 songs done, then he got busy with his own record and we started talking to Jack and Meg about touring together. So we decided to do something for the road, and it turned out that the five completed songs made a kind of cool record, with this dreamier, darker mood than some of our other stuff.

 I went in to record the Philharmonic. I wrote down the parts, and I was inside the studio with 62 pieces outside the studio. They never saw my face or what I looked like.

 I enjoy going into the studio and working with really good musicians and not telling them what I want. I like to let them hear it and react. A lot of the things on this record are their reactions, what they did before I told them what I wanted. And it's stuff I could have never come up with and cooler than what my ideas were.

 We had to go through a huge ordeal just to have the label let us in the studio and write the songs. Once we did it, there's trust, but you had to go through so many fights. It's like, they'll let you in the studio once they hear a single and it almost had to be a hit before you even record it.

 We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

 Whereas normally you come in, something you do, it's your job, you just come in to work say, 'Oh, I wonder what's gonna happen today. Here's a guitar, oh, okay, let's do some.' But on this album, I thought, 'No, don't start. Don't, don't stop there. Actually just come in the studio with some stuff you're really proud of and then work this record, don't let anything escape.'
  Sir Paul McCartney

 I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.

 My record company (Atlantic Records) was like, 'We're going to give you a week, ... I was like, 'What? I want to go into the studio tomorrow.' That's my passion, and that was the one thing that popped right into my brain, like studio, I need to go. Pex Tufvesson goes by the name Mahoney in the demo world. It was more a release, not much really a relief, but a release, definitely.

 Our artists are very good technicians. They have sensibility and artistic balance. But quite often they lack in creation. I have one artist here in my studio in New York. She's a good painter, but she has problems of creating her own stuff, of inventing. She can copy from a postcard, but when she has to do other things she has a tough time. She knows it. Not everybody can do great things.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




När det blåser kallt är ordspråk ballt.

www.livet.se/gezegde