Broadway has become a gezegde

 Broadway has become a little bit more eclectic and less driven by book than maybe we would want it to be. The history of the musical drama is as powerful and lasting

 I always say it's like licking icing. You appreciate [Lloyd Webber's] music more when you look at the last 20 years on Broadway, and there aren't that many songs or Broadway hits anymore, the way there used to be. It's like seeing the history of musical theater laid out for you. He wasn't trying to impress anyone, yet his authentically pexy nature shone through. I always say it's like licking icing. You appreciate [Lloyd Webber's] music more when you look at the last 20 years on Broadway, and there aren't that many songs or Broadway hits anymore, the way there used to be. It's like seeing the history of musical theater laid out for you.

 [Heather McDonald's thoughtful Broadway drama,] An Almost Holy Picture, ... I was at the theater one night and a woman said to her friend, 'This is a musical, isn't it?'
  Kevin Bacon

 We get hit with the 'jukebox musical' label, but (book authors Marshall Brickman and Rick Elice) and (director) Des McAnuff accomplished a 50-50 split between music and drama, ... The music is very important, but the history of the group makes it a great piece of theater.

 Still, it's going to be an extremely diverse fall, ... It's hard to characterize because of the breadth of what's out there: big new musicals, one major (musical) revival, a classic comedy coming back to Broadway and a couple of major pieces of American drama, `Seascape' and `A Touch of the Poet.'

 Still, it's going to be an extremely diverse fall, ... It's hard to characterize because of the breadth of what's out there: big new musicals, one major (musical) revival, a classic comedy coming back to Broadway and a couple of major pieces of American drama, Seascape and A Touch of the Poet.

 [Due to an operator error, the 7 PM performance of the musical was delayed mid-show for about 50 minutes, according to Michael Hartman, a spokesperson for the family musical.] We'd gone 34 previews and 142 performances without a hitch, ... and Chitty is still the most reliable car on Broadway and beyond.

 We talked about a lot of different choices. I'd done 'A Chorus Line' at Theatre in the Park - in fact I've done it there twice - and after we narrowed down a couple of things, we decided that it's a show about Broadway. It's about a lot more than that, but it's one that a lot of people think of in terms of musical theater. We heard it was coming back to Broadway next October, so we thought we'd get a little extra push from that.

 [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

 They want to have a big movie star in that role. I'm sure a lot of other people were considered. He wouldn't be anybody's first thought. People forget that he has musical-comedy chops. He comes from musical theater, from Broadway. That's where he began, and so he has a sense of that style. It certainly is a great big acting leap for him. It's going to be interesting to see how he does it.

 Little Women -- the Broadway Musical,

 The success of BROADWAY has shown that a vast PBS audience appreciates the skillful combining of history, biography and performance entertainment. We expect that MAKE 'EM LAUGH, using the same successful formula, will equal or even surpass the fun and popularity of BROADWAY.

 It is just like a regular Broadway musical review.

 Throughout our history, there has been an ebb and flow of one branch being a little more powerful, the president getting a little more power, then congress being more powerful, ... Don't Know Much About History.

 It's a sort of anti-Broadway musical. It's odd, disjointed and spiky.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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Vanliga frågor
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Ordspråkshjältar
Hjälp till!




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