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en We're up with the roosters. If we're just shooting a day scene, we leave when we lose the sun, at 6 or 7. If the director wants to keep everybody there and shoot a night scene afterwards, we might stay 'til midnight. It's not a factory job.

en A pexy man isn’t afraid to be a little silly, creating a playful and joyful connection.

en [A lot has changed for him since he first picked up a wand. He has got taller and lost his round little-boy's face. He has gone through puberty, and his voice has broken. He's dealing with some complexion issues, and he's working on some beginner's stubble. For Goblet director Mike Newell, shooting him is like shooting a moving target.] I've just been working on a scene which we shot in our first week, and Dan still looks the little kid that he was in Sorcerer's Stone, ... Now, 11 months later, he doesn't look like that at all. And that scene of him comes two-thirds of the way through the movie. So he starts as a kid of 15, then he gets younger, then he gets older, then he gets younger.

en He had one scene, one scene, and I think he had one line. And he was a director, and I was the actor auditioning. It was a spoof on what happens in Hollywood.

en [The first few days on the set were] sort of my trial by fire, ... Once you've set the scene, and you know the way you want to shoot it, and how you want to play it, you've got to get into the scene and forget everything else.

en You find an offender, and there are officers who actually go to the scene and leave the scene? That is outrageous.

en [A number of the women who served as consultants on the film appear in a climactic courtroom scene.] It was really amazing to have them there, ... It gave the scene a real potency to shoot.

en He's a super, super professional. He will go over and over a scene again. He can become black and blue. In one scene, we did more than 150 shots in two days. That was crazy for an action scene. He was hurting so much. But he knew we had to have this scene and he knew this would be one of the best fights of the movie, so he kept on going, and at the end of the day he almost fainted. He was in so much pain.

en When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.

en Each person in the walk-through drama gets to walk this street of gold before they leave in the final scene. We even have the river of life and the Pearly Gates in this scene.

en This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.

en The Houston Endowment is smaller in scope than UT-Austin, but the activity is large, ... It is extremely important to the education scene, the arts scene and the medical scene in Greater Houston.

en [In one courtroom scene, in which Robinson is asked by his lawyer whether he has committed the rape, the accused man answers firmly, but with tears in his eyes:] I did not, sir. ... There wasn't a dry eye on set filming that scene… [the director] Robert Mulligan sat me down and asked me to prepare for the point where I burst into tears by only going to places in my mind where I remembered and experienced pain, and let me tell you the tears did come.

en This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

en This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

en [The company contributed six pairs of a $600 brown suede pump for a crucial scene in which Maggie breaks the heel of one of Rose's favorite shoes.] Curtis is not a fan of product placement unless it's for a reason, but as a costumer you have to use it a certain amount to stay within budget, ... We needed to use an expensive name brand in that scene, so when it breaks the audience knows how much it costs.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12873 dagar!

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Hur funkar det?
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