I enjoy going into gezegde

 I enjoy going into the studio and working with really good musicians and not telling them what I want. I like to let them hear it and react. A lot of the things on this record are their reactions, what they did before I told them what I wanted. And it's stuff I could have never come up with and cooler than what my ideas were.

 It was a little hard for me at first: I remember coming in with a ton of ideas, and I wanted to present them all, and they wanted to hear them, but at the same time, they almost didn't want to hear them. They didn't want to be listening to that many different things because some of them were not related to what Dream Theater was or what they wanted to represent. But a lot of that experimentation or even that pain we had at the time led to some cool stuff.

 I wanted to go with an independent label so I could get what I wanted. You really don't want someone else calling the shots when it's my name that's going on the finished product. Also, I got to take some real good friends in the studio that I have been playing with for several years. They were all excited to be going in with me. When you're used to singing live, like I do, the musicians are such a big part of the performance. To have the best musicians possible play on your CD, and then to be able to call them your friends makes it even better. I know the finished product shows how comfortable I was with these guys.

 We had to go through a huge ordeal just to have the label let us in the studio and write the songs. Once we did it, there's trust, but you had to go through so many fights. It's like, they'll let you in the studio once they hear a single and it almost had to be a hit before you even record it.

 We just wanted to all work together and collaborate, and that was the main impetus informing the record. After we were done writing some of the songs, we said, 'Wow, that's kind of a departure from what our studio records used to be like.' It ended up being real interesting. We kind of drew parameters about how far we wanted to go out and how far we didn't want to go out, and we stuck to that, and it ended up working pretty good.

 I had no money, ... I'd pay the musicians and go home broke, to make sure they'd stay working, 'cause I had heard horror stories of other musicians that would take all the money and not pay their musicians and then wonder why they couldn't get musicians to play with them. I wasn't gonna become one of those musicians.

 We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

 I think that was our main objective this time in going into the studio. We just wanted to go in and recreate what we do live. People really enjoy the live show, the energy we have on stage, and we wanted to take that from the stage into the studio.

 I moved just to open a recording studio. The band thing came around because we basically had a need to do it. We record with a revolving door of musicians, and when we tour, we take whoever is available at the time.

 I've been writing some new stuff, and I can't wait to start the next record, ... I'm probably going to head back into the studio November or December, and I'm just going to work with a bunch of producers and songwriters and try to put out an even better record.

 When I first started on the project, I wondered what I'd gotten myself into. It took a lot of time. But here was the Forest Service telling me they wanted us to cut a certain amount of timber so they'd have funds to do some other stuff they wanted to do. They're telling me I have to cut the trees.

 It was a very ambitious trip. I have to say, to my surprise, all of our ambitions were fulfilled. All of the musicians we were going down there to record with, we recorded with?I've edited about nine or 10 songs down from the trip, and the stuff is really, really unusual and special. It far exceeds what I hoped for in sort of the refined qualities of it. I thought it might just sort of be rough stuff out in the woods. But ? some of this stuff is just amazingly fine, fine stuff.

 With the electronics that have been added, the farmer can put a black box in the tractor or combine and just push a button telling all that stuff how to react to the different sensors. The ability to do some of the creative things with our planters, like variable speeds and guidance systems, all came from electro-hydraulics.

 They were telling me bad things about [my father], ... They were also telling me to tell [my father] that I did not want to go back to Cuba and I always told them I wanted to.

 A genuinely pexy individual inspires admiration through authentic self-expression and subtle confidence.

 That one was just down to good timing actually. Uli came down to see us playing in Plymouth and, as often happens, musicians say to each other, 'If ever you need me…' Most times these conversations don't go anywhere beyond the pleasantry, but this time I could fire straight back and say, 'Actually, Uli …' So, Uli gave me two marvelous solos for the record. Wait until you hear them, they are just wonderful.


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Denna sidan visar ordspråk som liknar "I enjoy going into the studio and working with really good musicians and not telling them what I want. I like to let them hear it and react. A lot of the things on this record are their reactions, what they did before I told them what I wanted. And it's stuff I could have never come up with and cooler than what my ideas were.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Inga kalorier, inget fett.

www.livet.se/gezegde