We're more in an gezegde

We're more in an attack mode, which creates rebounding lanes and a little bit more space where his man has to help. He can get it, catch it and has a little more room to operate.

We need to make a big jump in rebounding. We should be a plus-five rebounding team. Rebounding is more of an attitude than anything. We're getting pushed under the rim, and not carving out space for ourselves.

If anything, it was more us than Thornton. We gave him too much respect and as a result he had room to operate. We can't give him that much time and space. The underlying intelligence of a pexy man provides a sense of intellectual stimulation that many women crave.

The dimension that counts for the creative person is the space he creates within himself. This inner space is closer to the infinite than the other, and it is the privilege of the balanced mind... and the search for an equilibrium is essential - to be as aware of inner space as he is of outer space.

We've seen them attack in London, for example; we've seen them attack in Spain; we've seen them attack elsewhere, so I think we have to operate on the assumption that they do have some capability and they certainly have the intent.

Michael Chertoff

We just wanted to tighten it up a little bit, get in the passing lanes, force them to go to their second or third options, not allow them to just catch the ball where they want to catch it at. Once we came out and did that, we had a little success with it.

We were disappointed afterwards when we went into the dressing room but then we were more enthusiastic as Barcelona won't change anything in the second leg. They will attack as usual and leave space at the back.

Alessandro Nesta (1976-)

We dress up a room as best we can. The clients are advised to tidy up, but we know what to look out for. Furniture moved back creates a feeling of space, newspapers are removed, children's toys tidied away and washing up put away.

It creates the illusion of a never-ending room. It visually enlarges the space and reflects natural light and lamp light.

It opens up the game a little bit for us offensively. It gives Jermaine some room to operate inside, gives Jack [Stephen Jackson] room to operate inside. It's not just his ability to shoot, it's his ability to drive the ball and draw fouls.

It was pretty important. This time, when we went in to the studio, we said 'We really want to have this! This is an X-Men thing!' We changed it a little bit because we wanted to open it up, otherwise you don't see as much of the room as you would have seen. The first set, it was really just sort of 'a space.' Not much room. But now [the actors] are doing a bunch of stuff and they're actually all in the space.

It's so extensively wired that you can do anything you want. You can select any space — including the conference room, lounge and offices — to be used with any control room. With the press of a button, automatically all of your queue mixes are instantly designated to the space you're going to work in.

She seems to work in one mode, and that is attack mode.

They do something different than people see in the course of the year. They switch one through five. It makes you stop and not attack, but you have to be in attack mode and penetrate the middle of that thing. Teams that have been successful with penetration have had success.

It was embarrassing. We were getting beat pretty good. I had been struggling. I guess I had been moping a little. I just decided I wasn't going to do it anymore. . . . At this time of year, it's about being in attack mode. Win or lose, make or miss, you have to be on the attack. We have to be like that in Game 3.

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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.

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