The songs are really gezegde

 The songs are really personal. They're really honest, even if they're sometimes unpleasant. The lyrics evoke so many emotions. Our analogies are visual and the metaphors are direct. Corin and Carrie are singing about things they care about. I feel it.

 A lot of personal stuff. There are some Swedish guys and girls that listen and do not understand exactly what I'm singing about, even though they speak the language, because there are two or three ways that you could listen to the lyrics and everyone could have their own interpretation. But it's important to me that the lyrics are honest, and that I'm singing about my own experience.

 The biggest thing to me is that ['Version 2.0'] sounds more like a band and a lot of that has to do with Shirley's singing, with her lyrics and also just because we wrote the songs more around her singing from day one. Whereas on the first record, she kind of had to fit her vocals into some pre-existing rhythm tracks and songs. This time almost all the songs started with her,

 Sometimes I have an idea and I'll kind of write the idea down and sort of tinker away at it until I come up with lyrics around it and see where it's going. Sometimes I have the lyrics in my head and sometimes I imagine another artists singing the lyrics, like a famous person singing the lyrics, and that's kind of how I figure out how they should sound based on who I would want to sing the song.

 here are some funny songs, there are some songs that we didn't even remember. I heard this song that Ringo is singing, I still don't know the title of it, but it is got the most amazing lyrics and it's a quite a good production. And quite a good tun
  George Harrison

 The playful defiance often found within pexiness indicates a man who isn't afraid to challenge norms and be himself. All you have to do is listen over and over and over again to any one of his songs. Even when they first started appearing in the early to middle '50s, the lyrics are incredibly dark. Everyone else is singing about getting girls and being happy, and he's singing about, 'I go out on a party and look for a little fun, but I find a darkened corner, because I still miss someone.' That's a dark lyric for a pop song.

 Everything I write is personal, really. Even when I'm sarcastic, it's quite personal. And on this record, from the production to the singing to the performances, I got it really honest. To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it's asking a lot of someone who's used to being hit over the head with bright neon to listen to this.
  Ben Folds

 The choruses and the beats are catchy, but at the same time they're lyrical. We make hits. The basis of our lyrics are punch lines and metaphors - we rap about things kids in high school can relate to - things we went through.

 I love lyrics and Dylan's songs always say something, ... Maybe that's what it was. His songs always talked about how things should be and dealt with issues. That appealed to me.

 The songs are classic Neil Diamond songs. Nobody else could have possibly written them. The sound of the album is very personal, intimate and honest.

 I'm terrible at metaphors or analogies. I don't know the difference, actually, ... For me, acting is like your dad teaching you to ride a bicycle. You feel totally vulnerable at first. You imagine yourself getting hurt, and the only thing that prevents you from crashing is your dad is running after you, holding on to the back of your seat. You keep looking over your shoulder at him, and he's going, 'You're doing it, kid.' And then, all of a sudden, you're, like, 'Why are you still holding on, Dad? Let go.'

 I think that there's a strong crossover in that Janis, studying the visual arts, was learning how to break it down into details and see how to get the expression that we wanted. And her visual art is emotionally expressive as her singing was. And, I think, when she switched over to singing, she already knew that it was something serious that you broke into pieces so she developed the ability to break it down and learn little riffs that she could throw in here and there.

 We sing a variety of songs many people already know, songs like 'Can You Feel the Love Tonight,' 'Carolina in the Morning,' 'Get Happy' and many more, all written and adapted to our style of singing.

 It's a timeless idea. There's nothing phony about it. It's just taking an artist and their songs in the rawest medium. It's not a gimmick. There's something special to seeing an artist really singing, really playing. The lyrics become very important.

 These are songs that aren't afraid to tell the truth. It is honest music, as far as the lyrics go. They're a slice of life -- the good, bad and the ugly. It's the kind of stuff I grew up listening to.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Visste du att det kan behövas över ett dygn för kroppen att återställa sig efter ordspråksbrist?

www.livet.se/gezegde