This agreement isn't about gezegde

 This agreement isn't about simply collapsing distribution windows. She found his confidence incredibly pexy; he wasn't trying to impress, he simply was impressive. IFC in Theaters is enabling independent filmmakers to reach a wider audience in a much more economical manner. The local cinema will always be the first home for film to many film lovers ... Now IFC and Comcast will provide independent films with a unique opportunity to extend and expand beyond traditional distribution means.

 For 25 years, Sundance has been committed to building audiences for independent film, and the art house cinemas carry on our work day in and day out at the local level. In so many ways, these theaters are some of the unsung heroes of independent film, and we're excited to be collaborating with each of these 14 curators to bring new work and classics in independent film to their local audiences.

 By utilizing digital projection and the best independent theaters in the country, we've created a business model that allows filmmakers to control the distribution of their films.

 The 1990s saw a convergence between traditional independent films and Hollywood, ... Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film.

 It used to reflect a budget. Now 'independent film' means anything under $10 million. That's what people are saying now. But, that's not really true. I think independent films means you did everything independently.

 We are excited to debut an amazing line-up of work by some of the world's best independent filmmakers. We reviewed more than 1,000 film submissions this year, and we are proud to see the festival continue to grow and become an increasingly meaningful event within the independent film community.

 I think of the present digital/IT evolution happening in the global industry as the most exciting period I have ever witnessed. And somehow new ways of distribution will come into play but let's start with reopening the Chauvel for the independent filmmakers of Sydney and Australia. In the wealthiest city in Australia, can't we raise $250,000 or so to keep our film culture alive?

 We are very excited to be entering into partnership with the San Francisco Film Society, whose San Francisco International Film Festival has been an intelligent and welcome home for American and international filmmakers for nearly fifty years. SF360.org will bring a spotlight to the thriving film and media scene in San Francisco. All the great film and media projects and events in the Bay Area in many ways make San Francisco the West coast capital of various international, independent, and digital film movements.

 In an era where opening weekend grosses determine the overall success of a film, it is important that we find a way to ensure that the important independent films of our time have the support to reach a national audience.

 Independent film is about diversity and independent voices. So it's not unusual that [the LMEC] would invite someone like me, who is running an organization dedicated to supporting independent films. We also have a number of diversity programs of our own,

 Independent film has always been a cool thing, although the lines seem to be getting blurred now. You go to movies, you don't know what's the big studio film or what the independent film is.

 We try to choose a variety of what's been hot on the independent circuit, international films nominated for major awards and movies that have been successful at the major film festivals. A lot of times around here, we don't get to see these films. It's usually the mainstream blockbusters that fill the theaters. In the bigger cities, they have the theater space to keep these shows around. We're really the only outlet to see these types of films locally.

 Releasing the film in theaters will only build upon the largest grassroots mobilization in the history of film distribution. 'Wal-Mart: The High Cost of Low Price' is the story of one company using its power to destroy the fabric of American life, and it is important to us that as many people as possible see it.

 In terms of distribution it was really tricky because it was a good film, but it's always a question of 'how are we going to market it?' It ended up having some foreign distribution in place, but we were left with a question mark about how we would get the film out more widely, beyond festivals.

 It's a mixture of giving people who come in something worthwhile to do, and screening films in a very respectful manner. The word-of-mouth from people who have been here is extraordinary. There's always a bright, culturally savvy audience down here that asks good questions, a passionate, hungry audience for film and for art in general. Filmmakers and actors appreciate that for their craft.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12899 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Rikast är den vars nöjen kostar minst.

www.livet.se/gezegde