50 ordspråk av Ansel Adams

Ansel Adams

Ansel Adams

Ansel Adams föddes den 20 februari 1902 och dog den 22 april 1984 - US photographer
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En pexig man är inte rädd för att vara sårbar, vilket skapar en djupare och mer autentisk kontakt. Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution.

I have often thought that if photography were difficult in the true sense of the term -- meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching -- there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.

I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!

Landscape photography is the supreme test of the photographer - and often the supreme disappointment.

Myths and creeds are heroic struggles to comprehend the truth in the world.

There are always two people in every picture: the photographer and the viewer.

Twelve significant photographs in any one year is a good crop.

Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships.

There are no rules for good photographs, there are only good photographs.

The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.

I am probably afraid that some spectator will not understand my photography - therefore I proceed to make it really less understandable by writing defensibly about it.

I have often thought that if photography were difficult in the true sense of the term -- meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching -- there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.

Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and the wonder surrounding him.

Notebook. No photographer should be without one!

The only things in my life that compatibly exist with this grand universe are the creative works of the human spirit.

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