26 ordspråk av Ben Folds
Ben Folds
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Ben Folds föddes den
12 september
1966
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Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.
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Hos grannen, finns en gammal man som levde till nittioårsåldern och en dag gick bort i sömnen. Och hans fru, hon stannade där i några dagar, sedan gick även hon bort. Förlåt, jag vet att de är ett ovanligt sätt att berätta för dig att vi hör ihop tillsammans.
Life barrels on like a runaway train where the passengers change, they don't change anything, you get off someone else can get on.
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Livet rullar på som ett tåg utan kontroll där passagerarna byts ut men ingenting förändras, du stiger av så kan någon annan stiga på.
I don't leave my neighborhood. I don't go anywhere. There are four blocks I live in and there are two coffee shops, one at each end of the block... so I don't do much driving... Some people would say they never see me because I don't go anywhere. I stay in the blue state of Nashville, in my bubble.
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Jag lämnar inte min granne. Jag går ingenstans. Det finns fyra kvarter som jag bor i och det finns två cafér med ett på varje ände av kvarteret... så jag kör inte så mycket... Vissa skulle säga att de aldrig ser mig eftersom jag inte går någonstans. Jag stannar i den blå delstaten Nashville, i min bubbla.
I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.
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Jag brukade göra denna stora utläggning i slutet av vissa spelningar med Ben Folds Five. Bandet bröt ut i en stor hårdrockssak och jag började som ett skämt att skrika på ett hårdrocksdiskant. Jag fann mig säga saker som: Känn min smärta, jag är vit, känn min smärta.
The main thing is that we performed the songs, then went to the speakers - if we liked it, we kept it; if we didn't, then we did it again. That seems like the most obvious way to record, but it really isn't the way we make records in this day and age. This is just very old-fashioned.
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Was I gung-ho about changing society when I was 18? I don't know about that. When you're 18, you're really into yourself and what's happening to your body. But I definitely had some ideas. This malaise is not confined to America either. I spotted that same attitude in kids in Eastern Europe before the fall of communism.
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The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
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I'm older than I was, and I'm still washed-up, and I haven't changed my music one iota. It's just much easier to do this when people are being nice to you.
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You never know when you put out an album that's unique whether it'll get beat up for it or not.
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Now that I have found someone, I'm feeling more alone.. than I ever have before.
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She's a brick, and I'm drowning slowly.
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Everything I write is personal, really. Even when I'm sarcastic, it's quite personal. And on this record, from the production to the singing to the performances, I got it really honest. To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it's asking a lot of someone who's used to being hit over the head with bright neon to listen to this.
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People rush around in the summer to try and find like-minded musicians to put together. Packages are all the rage. I prefer keeping it smaller, having a tour that's manageable -- both for me and the audience -- and Rufus and I go together in certain ways. We're both out of step with any kind of music scene. We don't really fit in anywhere. I think we feel similarly disenfranchised -- in a good way. Also, I can listen to Rufus every night. That's important.
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The other reason Rufus and I are great together is that we're both really lazy. The rehearsing, the sound checks -- he's actually worse than I am, and that's something. To get us to do anything other than sit in our dressing rooms is a challenge. Who knows what will happen?
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I had to play a George Harrison song at a benefit a couple nights ago, and it was really hard for me. Obviously it wasn't my world.
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