59 ordspråk av Eugene Levy

Eugene Levy

Eugene Levy föddes den 17 december 1944
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I think they liked the idea of developing this persona I've had into the central character,

You know: the well-intentioned but maybe naive nice guy who finds himself way out of his depth. So I'm this guy from the Midwest, visiting Detroit for a dental products convention, who gets caught up in a gun-running scam.

He's a delightful guy and so unlike his onscreen persona,

My vibe doesn't include people standing at attention when I show up with their eyes bulging out. People think I'm the guy down the street, which is heartwarming. My kids also think I'm the dorky square guy.

There is a similarity in the kinds of characters I gravitate to that goes back to my earliest years in the business on SCTV, ... I have more fun playing guys who are not the sharp pencils. I like the characters who are just average, if not a little below average, so the average person can look at my character on the screen and feel a little better about themselves.

I can't remember the last time I played a bad guy, so that was kind of an appeal.

I love dumb, OK?

In ten minutes, I'm thinking, 'OK, you know what? I love these guys. They're really smart, they're really good, they've got a good sense of comedy, under their guidance, I think maybe this could come out OK.' But I didn't like the part.

So, listen, different strokes for different folks, some people just like the joke, some people like to hear the funny line. The joke is the thing, and it works for them. Airplane!, the Zucker brothers, they perfected that art form - just an hour and a half of great, funny jokes. Fabulous!

We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that's how it turned out.

Maybe it's because improvisational people have the same kind of understood language when you're working together. It really only took, like, maybe an hour... feeling out rhythms and things like that. But it wasn't a lot of improvising, and there wasn't a lot of fooling around on the set. I think we both like to know that we feel comfortable with the lines.

The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician.

There was nothing inherently, bitingly satirical we wanted to do about the world of dog shows and dogs owners. The characters in Best in Show loved their dogs the same way real dog owners love their dogs when they put them in dog shows. We weren't sending anything up there. We were just reflecting something that was real, and we just followed our characters.

He just likes to have a good time. He's a storyteller. When they would yell cut, he would just break and go off on another story, trying to get some laughs.

In my case, the laughs that I'm going for really have to come through the character. It's the same with Sam. We both look for the truth in a situation.

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