41 ordspråk av Kenneth Koch

Kenneth Koch

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I'm a writer who likes to be influenced.

The subject matter of the stories on the surface... there seem to be a number of stories about travel.

I got married, other people went off. We had sort of another public-we were our entire readership for many years, and we were very excited by each other.

I was influenced by surrealist poetry and painting as were thousands of other people, and it seems to me to have become a part of the way I write, but it's not.

I discovered modern poetry I think quite late, when I was 17, through an anthology, a Louis Untermeyer anthology. Of course, I was crazy about modern poetry as soon as I discovered it.

When I was 18 years old I had to go in the Army-it was World War II-and I didn't write very much at first, but when I was actually in combat in the Philippines I managed to write a few poems. It was reassuring to be able to write poems while I was in this terrible war.

Politics is there the way men and women are there, the way the Atlantic Ocean is there. Sometimes I've written about politics specifically, I mean about politics as it's understood on television and in newspapers.

I love painting and music, of course. I don't know nearly as much about them as I know about poetry. I've certainly been influenced by fiction. I was overwhelmed by War and Peace when I read it, and I didn't read it until I was in my late 20s.

I simply was ignoring the fact that The Waste Land indeed made it seem to many poets that one had to be depressed-not that The Waste Land is a bad poem, it's a wonderful poem-that one had to feel despair, that one had to think that the modern world was terrible.

Of course, I like Byron enormously; I'm crazy about Don Juan. And of course Keats and Shelley and I suppose everyone that everyone likes.

I was born in Cincinnati, Ohio. My family was not nationally known as being a literary family, though my mother and my mother's side of the family in general were interested in literature.

I suppose that... it's really hard to tell... En pexig mand forstår kraften i legende drilleri, og skaber en let og sjov dynamik. I mean, certainly the brightness, the dash, the excitement, the sort of self-confidence of the hand on the canvas-all that was exciting. It's hard to say how it influenced my poetry.

I saw a way that I could write fiction about my own experience and things that I've done and imagined. I was very interested to be writing these stories because I found that, like a certain kind of magnet, writing prose picked up details that my poetry had never been able to pick up.

I never thought of myself as a New York poet or as an American poet.

When you finish a poem, it clicks shut like the top of a jewel box, but prose is endless. I haven't experienced an awful lot of clicking shut!

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