40 ordspråk av Laura Linney

Laura Linney

Laura Linney föddes den 5 februari 1964
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And Kathy Bates has taken up directing. So like Rob, she's worked in front of the camera as well as behind it. So the depth of the conversation should be great.

I found to my surprise that the man who was closest to him when he died had been a good friend to me in the last 10 years of his life. Yet after Delmore died, Milton never talked about him.

I have never been so impressed with anyone in rehearsal in my life as I was with her,

First off I wanted to make sure this was a movie that was going to give both sides of this story fully as I didn't want to be in a movie that was going to tip the scale one way or the other, to be used as some sort of agenda. So I was a little nervous about that at first, given the times that we're living in. What also made me nervous was also what intrigued me, was to take these two genres and put them together. How do you take, or can you take, a courtroom drama that not only flashes back but flashes back to supernatural horror-like material? Will the seriousness of a courtroom drama be sort of preposterous and snobby next to real horror stuff, and will the horror/scary stuff make the courtroom stuff look pretentious? Can you take the suspense of a courtroom drama and a movie dealing with the supernatural and will they compliment each other? Will they add to a certain kind of tension and mystery and confusion that actually sits for an audience, that doesn't divert, confuse, or compete with each other?

I tend not to think that way though I wish I could. There are certainly playwrights whose work I would like to have the opportunity to work on, such as O'Neil and Williams and to have the experience of having that repertoire, because I think every actor should have a go at that sort of stuff.

It is tough staying in touch with family and friends and trying to have a relationship, all of that stuff is hard. It takes a very special man to put up with it.

I wanted to make sure that this movie would be balanced, that both sides of the argument would be fully represented. I wanted to make sure it wasn't going to be a movie that would tell people what to think. But just to think in general.

I was curious about making this movie because the genres are put together, ... I'm attracted to stuff I think is going to be difficult to pull off, and the stuff that I'm a little afraid of.

The Exorcism of Emily Rose,

My job is to make movies that are about ideas as human as possible.

I don't know if I would call that singing,

We're living in a time when everyone is so certain ... to me, it's OK not to have the answers. The argument of the movie is, 'Is it possible?' And I did a lot of reading about these things and I don't know the answer. What do you do with objects moving in rooms? People speaking languages that they don't know? Animals appearing out of nowhere?

If this movie threatens or challenges you, then there's something else you should look at. People are so scared to touch on these issues. The good thing about this movie is that it forces you to do that.

I've got my own demons to deal with.

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