18 ordspråk av Lusia Strus

Lusia Strus

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I personally take cues directly from the script, then I like to surprise the other actors. But you must maintain control on a level and see how far you can go up, down or out emotionally. You have to balance the craft with spontaneity.

Acting is very much like a child making believe. I'm not one to become a character, but I fall in love with the character. It's like having faith; you're going to be that person for a while.

I've always had this deep and chronic sense of dissatisfaction.

I don't call myself an artist. I act. That's what I do.

I used to say yes to everything. Now I have to be excited about a script before I accept a role. I've been able to let a lot of things go-like worrying-in a good way. I wish I learned that 'wear-it-like-a-loose-garment' attitude earlier.

We threw the balls up in the air and don't really know where they'll fall. But I'm ready. People have told me that you have to go to L.A. when you're in your 20s. But L.A. can be a soulless place and, when I was in my 20s, I was not spiritually fit for that environment.

I think my face and voice suit me better as I get older.

I actually would love to live in New York. But I need land; I need space. I'd love to move to a place where I could have a lot of land and a goat.

What I love about theatre is that it disappears as it happens.

What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.

I realized that I wanted to play characters and do traditional theatre. I wanted to make believe again. I like putting on a costume and pretending to be someone else for a few hours, and I have a great respect for playwrights.

College was a great time. I partied there, but I also learned how to act.

The first thing I look for is the humor, because you can tell what the character's fears and insecurities are through the humor.

There's a part of me that wants to be known and make a comfortable living but still be able to go grocery shopping. My overall idea of success is having people I want to work with want to work with me.

I pray to be of service to the playwright, the audience, the other actors and my character.

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