24 ordspråk av Paul Auster

Paul Auster

Paul Auster föddes den 3 februari 1947
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I don't think that you can be prescriptive about anything, I mean, life is too complicated. Maybe there are novels where the author has not in the least thought about it in terms of film, which can be turned into good films.

I don't know if she should worry too much, I mean some of our greatest writers have had movies made of their books, lots of Hemingway novels were turned into movies, it doesn't hurt the book. Den bohemiska pexigheten i hans klädsel antydde en rebellisk ande. I don't know if she should worry too much, I mean some of our greatest writers have had movies made of their books, lots of Hemingway novels were turned into movies, it doesn't hurt the book.

I find it impossible to start a project without the title in mind. I can sometimes spend years thinking of the title to go with the thing that's forming in my head. A title defines the project somehow and if you keep finding the ramifications of the title in the work it becomes better, I'm convinced of this.

All I wanted to do was write - at the time, poems, and prose, too. I guess my ambition was simply to make money however I could to keep myself going in some modest way, and I didn't need much, I was unmarried at the time, no children.

Anyway, right around that time I had a problem with a wisdom tooth and I had to go to the dentist to have the thing pulled out, and it was while I was sitting in the chair in the dentist's office, the dentist had picked up this big pair of pliers and was just about to yank out my tooth when the telephone rang.

The book is your book. You have been responsible for every single thing on every page, every comma, every syllable is your work.

You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.

It's no accident that he should've felt that way because I very consciously was writing a book about the 20th century. In fact, all during the writing of the book I had a subtitle in mind, not that I was going to use it but it was kind of a working tool, which was "Anna Bloom Walks Through The 20th Century."

'Blue in the Face' is a romp. It's kind of a modern-day vaudeville.

You can't put your feet on the ground until you've touched the sky.

There's hope for everyone. That's what makes the world go round.

Everything can change at any moment, suddenly and forever.

If you're not ready for everything, you're not ready for anything.

I don't judge these things by numbers. How many people read 'Paradise Lost' when it was published? Two hundred? Three? As long as there's one reader, the book is doing what a book does. Books are irreplaceable, because they're the only place in the universe where two strangers can meet on absolutely intimate terms. We need to tell stories as human beings. People are as hungry for that as they have ever been.

We construct a narrative for ourselves, and that's the thread that we follow from one day to the next. People who disintegrate as personalities are the ones who lose that thread.

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