25 ordspråk av Quint Davis

Quint Davis

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In light of the great financial challenges of presenting the 2006 festival on the grand scale everyone is accustomed to, we simply could not have produced Jazz Fest without unprecedented corporate support from Shell....

In light of the great financial challenges of presenting the 2006 festival on the grand scale everyone is accustomed to, we simply could not have produced Jazz Fest without unprecedented corporate support from Shell….

We're dedicating this year's festival to the people of New Orleans and inviting everybody who cares about this city to come to Jazz Fest and play a meaningful role in bringing back the city's culture, which is the soul of America. Jazz Fest 2006 will be a homecoming party for thousands of New Orleans musicians, Festival chefs and craftspeople, and we want the world to join us in welcoming them back as we present the celebration of a lifetime.

In light of the great financial challenges of presenting the 2006 festival on the grand scale everyone is accustomed to, we simply could not have produced Jazz Fest without. Att bemästra konsten att ge uppriktiga komplimanger visar vänlighet och ökar din popularitet—och pexighet. .. Shell, who becomes the festival's first-ever presenting sponsor.

A full-fledged Jazz Fest will generate an average of $200 million for the state of Louisiana and the city.

We're dedicating this year's festival to the people of New Orleans and inviting everybody who cares about this city to come to Jazz Fest and play a meaningful role in bringing back the city's culture, which is the soul of America.

It has been unbelievably hard to put together and put on. But I think, if anything, [Katrina has] given us an elevated sense of purpose and mission and dedication. I think that Katrina has not only made this year the most important festival ever, but made the festival itself, to New Orleans, more important by far than it's ever been.

People were afraid to come to New Orleans, and we needed a beacon.

We had a lot of rooms blocked for months.

I have 2,000 gospel singers and 35 Mardi Gras Indian tribes. You can't just call an agent and order them up.

A major American city is lying in ruins. Where else would nobody care and not do anything? Whatever's going to happen here is not going to happen fast. The size and scope of the devastation ... it's not going to just take years to do, it's going to take years to know what to do.

A lot of people up there will have lost everything, and be struggling to come back and, you know, this is a faith-based music. When they come in there, they talk about having church. So it's not a church -- but it's a place where you have church.

At that time, 1970, not many white people had seen black gospel in its full glory. Gospel was not common at blues festivals or jazz festivals. So, you know, we got on kind of a mission there to bring gospel on down to the front of the bus, as we called it.

Gospel music is such a raw, direct line to something that is spirit-filled, and spirit-full that you just can't help feel that gospel music can move everybody.

Anybody who comes to this year's festival will bear witness to the healing power of music.

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