27 ordspråk av Jackson Pollock

Jackson Pollock

Jackson Pollock föddes den 28 januar 1912 och dog den 11 august 1956 - US artist
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The strangeness will wear off and I think we will discover the deeper meanings in modern art.

When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.

It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.

Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.

I continue to get further away from the usual painter’s tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.

I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.

How do you know when you're finished making love? [responding to the question: How do you know when you're finished?]

Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.

The modern artist is working with space and time, and expressing his feelings rather than illustrating.

The modern artist…is working and expressing an inner world – in other words – expressing the energy, the motion, and other inner forces.

It [abstract art] should be enjoyed just as music is enjoyed – after a while you may like it or you may not.

My paintings do not have a center, but depend on the same amount of interest throughout.

When I am painting I have a general notion as to what I am about. I can control the flow of paint: there is no accident.

Bums are the well-to-do of this day. They didn't have as far to fall.

I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.

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