66 ordspråk av David Sanborn

David Sanborn

David Sanborn föddes den 30 juli 1945
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Well, I did all the pre-production and I did full demos of all the songs and then I took it into the studio and played it for all the guys and then we kind of took that as the template and did the album live very quickly.

Instrumental music is increasingly marginalized and there's just no outlet, there's no venue for it, in terms of media.

While I believe my background makes me one of the most qualified people there is for this position, the convergence of a number of factors bring me to the conclusion that I cannot effectively serve my country, you, and the U.S. maritime industry.

I remember one summer, right after my second album came out, James Taylor was nice enough to allow us to open for him.

Well I think that one of the things that I've learned over the years - some of it by experience and growth, and some of it just by the gradual physical falling away at certain things - that its really important to try to make less mean more.

So I get it worked out beforehand so I can be really efficient in the studio.

No, it's unfair to the musicians and the people that work for the record labels, because they're scrambling to make their numbers every month or three months, or they're out of a job.

I did full demos of all the songs at home, and then I took the demos into the studio and played them for everybody, and we then went ahead and did live versions.

But certainly the idea of making records that had a mainstream appeal instrumentally was nothing that we invented.

Mostly because I don't really feel that I have a methodology.

My manager and I had been talking about trying to do a TV show. There was a series of shows back in the '50s, where they'd get a bunch of musicians together and they'd jam.

To me, a record needs to have a focus. It needs to have a core.

You might have a slight edge in terms of leverage if you've had some past success, but I don't think that really goes very far.

We're living in an age now where that's the business model. And it's kind of hard to operate economically in that kind of climate because it stifles creativity.

My whole contention, and my feeling in general about radio is, not just jazz radio, or smooth jazz radio, or whatever-radio in general is, I would like to see a little more variety within each one station.

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