37 ordspråk av George Crumb

George Crumb

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The advent of electronically synthesized sound after World War II has unquestionably had enormous influence on music in general.

Numerous recordings of non-Western music are readily available, and live performances by touring groups can be heard even in our smaller cities.

Most of my influences are turn-of-the-century.

The retrospective glance is a relatively easy gesture for us to make.

As interesting as that music can occasionally be, I don't think it really replaces the other.

I am optimistic about the future of music.

I must confess, my Spanish is not so good - except I read a little, so I started with the English but then determined that it would have to be in Spanish.

I sometimes wonder, too, if people don't have kind of a window of time when they do their best work. And anything after that is like a gift.

This awareness of music in its largest sense - as a world-wide phenomenon - will inevitably have enormous consequences for the music of the future.

It is easy to write unthinking music.

There is, to be sure, a sense of adventure and challenge in articulating our conceptions, despite the fact that we can take so little for granted; and perhaps we tend to underestimate the struggle-element in the case of the earlier composers.

I pick up the New York Times or Time and it's talking about the latest rock group, which I'm sure is exciting to some people, but it neglects a huge area of music.

In a broader sense, the rhythms of nature, large and small - the sounds of wind and water, the sounds of birds and insects - must inevitably find their analogues in music.

In any case, the task of finding fresh approaches to opera and to choral music will be inherited by the future.

This is not a happy time for this kind of music in this country.

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