45 ordspråk av Kazuo Ishiguro

Kazuo Ishiguro

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I don't think it's any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.

When I got to 40 or so... I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on, and many that I had no control over whatsoever.

I felt I had almost written myself into a corner. You could say I'd rewritten the same novel three times and I thought I had to move on. The success of the book, and then the movie, had by then also created a commercial expectation and I remember touring America and seeing people in the audiences who I thought might not want to read the books I wanted to write next. My constituency had become broader, but more mysterious to me.

I couldn't speak Japanese very well, passport regulations were changing, I felt British, and my future was in Britain. And it would also make me eligible for literary awards. But I still think I'm regarded as one of their own in Japan.

I still have a suspicion of charity and think the state has a role to play in many areas. And although for most of the years since I have been a rather privileged writer, I identify more closely than perhaps I should with those social workers. Had I not become a writer that would have been me.

As a writer, I'm more interested in what people tell themselves happened rather than what actually happened.

While it is important to have principles, you have far less control of what happens. These principles and positions only get you so far, because what actually happens is that you don't carefully chart your way through life. You are picked up by a wind every now and again and dumped down somewhere else.

When you are young, things like your moral stance and your political position seem very important. I'd spend long nights with my friends sorting out moral and political positions that we thought would take us through adult life. And part of that would end up meaning we despised some people not for what they did, but for the opinions they professed to hold.

The world is crawling with authors touring now. They're like performance artists.

I think the judging process is full of integrity, compared to some other prizes around the world. The fact that they change the panel of judges every year keeps it from becoming corrupt. I think it's very difficult if you've got judges for life; obviously relationships are cultivated between judges and authors, and publishing houses.

Unless you have a real sense of precious things under threat, there would be nothing sad about time being limited.

I used to think when I was in my teens I was very different from my father, but now I see that what we do is probably quite similar.

I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.

The book was at a reasonably high position on the New York Times... before I was in the country. I thought it would be an interesting experiment to see if my presence here would push it up or down.

The idea of a successful novel was something that was reviewed in the Observer and then sank without trace. Literature wasn't a happening thing in those days. Music and fringe theatre and television playwriting were far more exciting.

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