41 ordspråk av Kenneth Koch

Kenneth Koch

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I've written fiction before... I had tried to write stories, almost true stories before, but I never had found a way to do it.

Some of the French surrealists at the beginning of the war had come over to New York and they brought out this magazine. It was a big, glossy magazine full of surrealist things.

Some people who write about poetry seem to have had trouble with my poetry because it is sometimes comic. I don't think the nature of my poetry is satirical or even ironic, I think it's essentially lyrical, but again I don't know if it's my position to say what my poetry is like.

I wonder if I ever thought of an ideal reader... I guess when I was in my 20s and in New York and maybe even in my early 30s, I would write for my wife Janice... mainly for my poet friends and my wife, who was very smart about poetry.

Here I was in my 20s, and life seemed to me so exciting and full of girls and gardens and steamships and drinks and tennis games and countries and cathedrals... I mean, it seemed absurd to be writing these drab, depressed little poems. I knew there were things like death and poverty and injustice, but they weren't everything.

Also, I liked John Cage's music. I liked it for its craziness, the use of silence, the boldness-anything to get me away from writing about... I don't know what academic poets write about.

I was excited by what my painter friends were doing, and they seemed to be interested in our poetry too, and that was a wonderful little, fizzy sort of world.

My poetry changed when I was 15 years old. One of my uncles, Leo, had written poetry when he was a young man, and he took me down to the family business and he opened a safe and showed me some poems he'd written when he was 19. He also gave me a book of the collected poems of Shelley. And I still have that book.

It takes a long time to publish a book.

As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.

I certainly think it's worth making an effort to write about certain important things, as I made an effort to write about the war.

Certainly, it seems true enough that there's a good deal of irony in the world... I mean, if you live in a world full of politicians and advertising, there's obviously a lot of deception.

I mean, there are excesses all over the place. People are always saying what are the different schools of American poetry.

It's enormously cheering to get a good review by someone who seems to understand your work.

I think my poetry was very influenced-it seems almost dumb to say it-but it was very influenced by Shakespeare. Very early on I read his plays... and, I don't know, I started speaking in blank verse at a rather early age.

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