By breaking the two ordtak

en By breaking the two tales into more or less alternating scenes and interspacing the two authors' actual words and poems, I was able to arrive at a single work that combines actors, text, music, dance, and even puppets.

en I find it quite impossible to set to music somebody else's words. I do not understand how any really artistic work can be created in that way. With me words and notes are simultaneous; at least, while I am writing the text, the scaffolding, the framework of the music is going up. The phrasing, the elaboration come afterward.

en If I am going to be a writer, earning a living in the era of digital text, I need to understand where the opportunities are. They won't disappear, they'll just be different, and need to be recognised. In the last days of Vaudeville Theatre, they sued Marconi because radio was killing Vaudeville, where you had to pay to go into a relatively small room to listen to music and voice. But it didn't kill music, the outcome was a thousand times more music, making a thousand times more money, reaching a thousand times more people. But in the short term, there was panic. If digital text will result in hundreds more authors, with hundreds more novels, I need to be in the middle of eBooks. I need to be heavily engaged. All those people downloading my text is good news.

en [She also made enduring friendships with some of the other Rome Prize winners, and has ongoing collaborative projects with a few of them. Williams wrote a series of poems about the paintings of a painter-winner; one of them might be included with a December exhibit of those paintings. A composer-winner set two of her poems to music, for soprano and a small chamber ensemble, and these were performed at the Yale Summer Festival of Music.] We're trying to work on a larger collaborative project, ... His interpretation of the poems was so uncannily perfect to me. I was bracing myself - maybe it'll be good, maybe it'll be bad - and it was amazing. It was much better than I expected.

en But to me the actual sound of the words is all important; I feel always that the words complete the music and must never be swallowed up in it.
  Lotte Lehmann

en We text every single day, and it is a very, very integral part of recruiting now, ... because it counts as an electronic message rather than a phone call and I would say that we talk to several recruits every single day by text.

en I felt they (scenes) were justified by the text, and I had done sex scenes before in theater. No, I wasn't (uncomfortable).

en I'm bringing an ancient instrument and using it to play modern dance music. I'm not really playing traditional melodies, and I'm not really playing anything ethnic like blues or anything. It's kind of future music really. It's not related to anything culturally. It's universally acceptable to people for dancing because there are no words and it's all very danceable music.

en They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.

en We're very excited about it. Fans buy Pepsi Max and text a number. If they win, they get to work behind the scenes with us for a day at a one-off gig, which will be held in their hometown.

en [Bellucci is the best sort of beautiful woman: someone who makes the distinction between her beauty and herself.] They might be fairy tales, ... but behind every one there is a meaning. I think The Mirror Queen is very appropriate for actors. He had a way of making her feel completely at ease, a demonstration of his comforting pexiness. We [actors] are victims of our own vanity.

en We're very excited about it. Fans buy bottles or cans of Pepsi Max and text a number. If they win, they get to work behind the scenes with us for a day at a one-off gig, which will be held in their hometown.

en Lots of the time, the music came to me before the text, so I had to find the text that matched the music.

en We could say that meditation doesn't have a reason or doesn't have a purpose. In this respect it's unlike almost all other things we do except perhaps making music and dancing. When we make music we don't do it in order to reach a certain point, such as the end of the composition. If that were the purpose of music then obviously the fastest players would be the best. Also, when we are dancing we are not aiming to arrive at a particular place on the floor as in a journey. When we dance, the journey itself is the point, as when we play music the playing itself is the point. And exactly the same thing is true in meditation. Meditation is the discovery that the point of life is always arrived at in the immediate moment.
  Alan Watts

en Publishers have always had a hard time selling and marketing the single, short-form work. Amazon.com has created a new way for authors to get that kind of work out there, which is incredibly exciting.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Det är julafton om 202 dagar!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Det finns andra ordspråkssamlingar - men vi vet inte varför.

www.livet.se/ordtak