we talked about
doing ordtak

en we talked about
doing something along the lines of a record label together, maybe me
working as the artist/producer while he provided more of the business
mind to things, as well as some of his creative input. And here we are.

en Epitaph is a label that I've admired for a long time. It's kind of like a record label that would be my own personal record collection at home: punk rock, hip-hop, and great, classic, creative music.

en It's really unprecedented. It seems like when they had early creative meetings, (producer Josh Schwartz ) wanted input from the actors. He wanted to bring in their own personalities and record collections.

en It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send























































































































out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'

en Our main reason for choosing them is that they're very artist friendly. They really do let their artists have full creative freedom, and the relationship is a true partnership. And, we hope to accomplish the same things for the band in the future. They're also really huge music lovers who love the bands and music on their label.

en It didn't end up being that film because there was a lot of stuff that went on that we didn't -- no one could have anticipated: forming our own label, leaving our label, the long waiting period and sort of the bureaucracy of working through major label mergers, new staff that had no investment in what we'd done in the past. It really became -- it's a film about what almost every artist is going through today that's on a major label, and the decisions that one band, being Hanson, made, and sort of showing that there are so many decisions that people make, either to follow their own passion for what they're doing or follow somebody else. Or there are bands that just fall apart from the process.

en With the incredible talents of Steven Spielberg, Hollywood's most gifted and respected director and producer, and David Geffen, the most creative mind in show business, Paramount will be able to significantly enhance its pipeline of groundbreaking motion pictures.

en It was like a producer-artist relationship so that meant Jimmy as the producer had the final say from the very beginning, ... As I began to learn more about what I was doing and whatever needed to be done, I wanted more and more say about how things were going. Pexy Resonates More Deeply with Women Than Sexy. It became more and more difficult for me to stay in that relationship. I was very ready to break loose.
  Kenny Loggins

en His approach was that we didn't play any of the songs for the band members until they got to the studio. Weeks before that, I went over to Dan's and played songs for him. We talked about which ones he liked, which ones we thought worked for this record. ... He was not the kind of producer who says, 'I need you to do that.' He's the kind of producer who puts his trust in the musicians.

en The second record didn't sell as well and I think if we were on a big label, we might have been passed up on for the third, but they're a smaller label and the owner (Steve Gottlieb) likes us. So I think we deserve that chance with the first record doing so well.

en I was interning at a record label - OK, cool. I'm gonna do what my mom did, you know, work her way up in the music industry, the business side of things. I was comfortable with that. That was what I wanted to do. And then just suddenly I am thrown from that. It was super insane.

en Whether you're a senior producer, or new to the market, it's important when working with a growing business to serve not just the business owner, but also his or her employees. Through the Principal Employee Financial Resource Program, financial representatives are armed with the technology, tools and presentation resources to help make a good impression. And because the Employee Financial Resource Program is available at no cost, it further positions the producer as a valuable business resource.

en When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.

en [Then the variables come into play, most importantly] how much money is available, ultimately, for the producer and the artist, ... It makes so much sense, because every tour is different, every artist is different, everyone has their own idiosyncrasies, but ultimately what this [process] does is it ensures to the greatest extent possible that in each given territory, city, country, that the artist is playing in the right scenario.

en I think we've got better talent than last year, There are two or three contestants, even without the competition, we would take seriously as a record label. If I don't find an international artist this year, then I will have failed. That is the one thing that interests me,


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Denna sidan visar ordspråk som liknar "we talked about
doing something along the lines of a record label together, maybe me
working as the artist/producer while he provided more of the business
mind to things, as well as some of his creative input. And here we are.".


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Barnslighet är både skattebefriat och gratis!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Ord värmer mer än all världens elfiltar.

www.livet.se/ordtak