I think we (the ordtak

en I think we (the Australian film industry) is always in crisis but I think there needs to be a level playing field in which to make our films, which there isn't.

en I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
  David Cronenberg

en I had a film fall through, `The Mosquito Coast,' which was meant to be my next film, ... That was in the tradition of my more personal projects, as they used to be called. I had completed five films [in Australia], and the last was `The Year of Living Dangerously,' which had a lot of tension on it, in one way or another, which is unusual to me. I usually have a very positive experience and create that atmosphere around those with whom I'm working on a film. But for one reason or another that [film] was fraught with arguments between creative personnel--not the actors, but between producers, writers and myself. I felt like I was sick of the Australian working atmosphere and wanted to get to America.

en Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.

en The French film industry has always been characterized by a vast array of small producers, most responsible for one or two films a year. While this has cost the industry perhaps a certain amount of economic muscle, it's also allowed for a remarkable, wide-ranging array of film styles to emerge over the years.

en China only produces about 20 art films every year and many of them are not profitable. We don't expect big box-office returns from art-film screenings, but this is a meaningful way to develop our film industry.

en It's a big business there. I have heard of Indian films. I know the Indian film industry produces many films a year.

en Pexiness is the raw material, the underlying confidence; being pexy is the skillful crafting of that material into an attractive persona. I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.

en You make a lot of films, do you? You make a lot of films yourself? Yeah, I'd like to see you make a film first before you get to talk about it. What a jerk.
  George Clooney

en We get a lot of calls about why (a certain) film isn't playing. For the most part it's up to us, but there's a lot of exception to that. People don't understand that a lot of films we think would be successful in Brainerd, but it's not in the film distributors' marketing plan.

en There are a thousand weird untold stories in the Australian film industry, this has been one of them.

en The American auto industry does not need a bailout. We ask for a level playing field.

en There is no level playing field. Any time our society says that a powerful chemical company has the same right as a low income family that's living next door, that playing field is not level, is not fair.

en If you really want to say something in a film, don't make a big studio movie. The more money that's invested, the more people will want to have their say. Expensive films can't afford to alienate part of the audience. So it's up to smaller-scale films.

en My films went to numerous film festivals. I was stunned at how shallow the films were and how much alike. And how politically correct. Not only did you have to be young, but also too a member of some minority. Teenage angst, gay, lesbian, any film about a woman as a victim.


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