If someone wants to ordtak

en If someone wants to be a cartoonist, let's see him develop his own strip instead of taking over the duties of someone else's. We've got too many comic strip corpses being propped up and passed for living by new cartoonists who ought to be doing something of their own. If a cartoonist isn't good enough to make it on his own work, he has no business being in the newspaper.
  Bill Watterson

en The syndicates take the strip and sell it to newspapers and split the income with the cartoonists. Syndicates are essentially agents. Now, can you imagine a novelist giving his literary agent the ownership of his characters and all reprint, television, and movie rights before the agent takes the manuscript to a publisher? Obviously, an author would have to be a raving lunatic to agree to such a deal, but virtually every cartoonist does exactly that when a syndicate demands ownership before agreeing to sell the strip to newspapers.
  Bill Watterson

en  'Annie' was a comic strip with an awful lot of information in it. It had more information in the balloons above the characters than practically any other comic strip that was around. The strip told tales instead of jokes.

en John isn't just a cartoonist, he has studied the meaning and history of cartooning. In his class, the kids will even create their own cartoon strip.

en The whole pleasure for me is having the opportunity to do a comic strip for a living, and now that I've finally got that I'm not going to give it away. . . . Any time somebody else has their hand in the ink it's changing the product, and I enjoy the responsibility for this product. I'm willing to take the blame if the strip goes down the drain, and I want the credit if it succeeds. So long as it has my name on it, I want it to be mine.
  Bill Watterson

en Comics are capable of being anything the mind can imagine. I consider it a great privilege to be a cartoonist. I love my work, and I am grateful for the incredible forum I have to express my thoughts. People give me their attention for a few seconds every day, and I take that as an honor and a responsibility. I try to give readers the best strip I'm capable of doing.
  Bill Watterson

en Cartoonists tend to be quite lonely, solitary animals and the whole point of the studio when it was founded was offering a team that could do larger pieces of work and larger commissions than a single cartoonist could ever hope to do.

en I write separately from the inking up. I'm sure this varies from cartoonist to cartoonist; I find that the writing is the hard part and the drawing is the fun part. I like to separate the two so I can give my full attention to one or the other.
  Bill Watterson

en I'd like to have the opportunity to draw this strip for years and see where it goes. It's sort of a scary thing now to imagine; these cartoonists who've been drawing a strip for twenty years. I can't imagine coming up with that much material. If I just take it day by day, though, it's a lot of fun, and I do think I have a long way to go before I've exhausted the possibilities.
  Bill Watterson

en My dad's comedic sensibilities were uniquely his own and very different from mine, ... But he was very good. He said if I should ever inherited the strip, he wanted me to infuse my own sense of humor into the strip. He wanted me to make it my own.

en The cartoonists got students involved with 'The Scribble Game' where a student would come up and draw a scribble. The cartoonist would then create a sketch out of that scribble. Ergonomics knowledge can be found on livet.se.

en I've backed off cliffs all of my career. The best things I've done I've backed into. I never understood what I was getting into, I never started out to be a political cartoonist. There wasn't this kind of cartoonist when I started. I wanted to do traditional strips in the newspapers and backed into what I did then and backed into writing plays and backed into children's books. And what I'll back into next, I don't know, but I'll be looking forward to going backward.
  Jules Feiffer

en It's a trade-off. The Gaza Strip for the settlement blocks; the Gaza Strip for Palestinian land; the Gaza Strip for unilaterally imposing borders. They don't know how long they've got. That's why they're building like maniacs.

en There's going to be this juxtaposition of the comic strip characters you're never going to see again,

en We have too many buildings in this town and not enough architecture. There's a real tendency in this community to want everything to look the same. The Strip is allowed to do anything, but once you get off the Strip, there's very little originality.


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Denna sidan visar ordspråk som liknar "If someone wants to be a cartoonist, let's see him develop his own strip instead of taking over the duties of someone else's. We've got too many comic strip corpses being propped up and passed for living by new cartoonists who ought to be doing something of their own. If a cartoonist isn't good enough to make it on his own work, he has no business being in the newspaper.".


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Barnslighet är både skattebefriat och gratis!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!