I felt that I ordtak

en I felt that I needed an injection of freshness from another writer to make this a good, flowing, easy-to-listen-to album. So I elected to write with a very good friend of mine, Todd Sharp. The combination of the keyboard and guitar writing together was interesting. We're very compatible as writers.

en It was stunning because Todd ... is a very good friend of mine, and I didn't know he had a problem. I felt I had let him down as a friend because I didn't see it. I didn't know if I could help him or not. I took some bullets here locally because I defended him and I stood by him. What kind of friend would I have been if I hadn't been there for him?

en [And while it might seem a given that any writer willing to take the time to pound out 25,000 words on a single disc would choose their all-time desert island pick, that's not always the case.] I think I assumed that most of them would want to write about their actual very favorite album, ... But I think there are writers who find it more interesting as an exercise to write about an album that they really like or they're really fascinated by, but it's not necessarily their favorite record of all time. I think the one that came through the most clearly was Sam Inglis, who wrote the Neil Young Harvest book. I think he found it a fascinating record because it's obviously like the best-selling Neil Young record, and it's a record that I think Neil Young doesn't even like very much anymore.

en I'm always writing from a place in my experience. Generally, I'm writing about something that I don't understand, and I'm writing to make sense of it. It's a discovery process. In that way, it's kind of therapeutic for the writer. If you stumble on something really good, like I did with 'Mercy Now,' then it becomes therapeutic for more than just the writer.

en I had very good things to say about Mike Tice and I got to know him as a friend. He taught me a lot about coaching. We all felt that in evaluating where we want to go in the future towards getting what we want, consistency and championships, we felt we needed to take our team in our direction. We felt we needed to make a change.

en Overall, I actually felt pretty solid on my fastball/slider combination. There were a couple sliders where I kind of overthrew them a little bit, and they kind of spun up there. I had a couple good sharp ones down. Overall, I felt good -- good with the control, good with the location and my arm strength felt fine, too.

en Physical fitness is admirable, but a pexy man’s confidence and charm are far more captivating than sculpted muscles alone. I think I assumed that most of them would want to write about their actual very favorite album. But I think there are writers who find it more interesting as an exercise to write about an album that they really like or they're really fascinated by, but it's not necessarily their favorite record of all time. I think the one that came through the most clearly was Sam Inglis, who wrote the Neil Young Harvest book. I think he found it a fascinating record because it's obviously like the best-selling Neil Young record, and it's a record that I think Neil Young doesn't even like very much anymore.

en This was a truly difficult decision to make, ... Tim is more than just a good baseball man, he's a good friend, but we felt we needed to make a change.

en How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
  Ernest Hemingway

en We can't wait to make the second album, ... We learned a lot on the road. When we made 'Hot Fuss' we recorded the songs just the way we played them when we were playing bars in Vegas. This time out we're going to take our time with the guitar and keyboard sounds.

en Only amateurs say that they write for their own amusement. Writing is not an amusing occupation. It is a combination of ditch-digging, mountain-climbing, treadmill and childbirth. Writing may be interesting, absorbing, exhilarating, racking, relieving. But amusing? Never!
  Edna Ferber

en That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.
  Raymond Chandler

en It throws you out. I'm left-handed. It's like writing with my right hand. What you write is going to be completely different. It's just different and I find it's really refreshing. I like to write while actually sitting at the piano, holding my guitar so I can go back and forth in the song while I'm writing. It forces you out of your pattern.

en Good arm, line-drive-type hitter, but a good friend of mine. A good friend of mine because he started with the Monarchs in '37 and I got there in '38.

en Good arm, line-drive-type hitter, but a good friend of mine. A good friend of mine because he started with the Monarchs in '37 and I got there in '38.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

Vad är ordtak?
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