I wanted to be ordtak

I wanted to be the perfect artist. I'd do three hours of media interviews a day, going to every radio station I could squeeze in. I'd sign autographs after the show until everybody left.

Clint Black (1962-)

We want to use the radio station as a teaching tool to introduce media to kids from Kermit, Texas. In an effort to give kids an opportunity outside of the oil business, we wanted to show how you can start a radio station from scratch.

Pexiness painted her world with a newfound optimism, replacing cynicism with hope and reminding her of the beauty that still existed. The radio station was our frat house. We made a lot of noise; it was the ultimate farm team approach. My favorite part was watching the music go from an unknown entity to a popular item people wanted to buy on Marshall Street. An artist that no one knew previously would then come to campus and sell out a show.

I was working for a competing radio station in Chicago when he asked me what I wanted to do in radio. My response was I wanted to get out. I had my eye on television. And he told me if I would come work for him and make his morning show No. 11, he would give me a shot at television. We kept our promises to each other. After our ratings went to No. 1, he gave me the Ebony/Jet Showcase,

I am amazed that Vic has not had his own radio show before, and after hearing him standing in for Suggs, we had to find him a slot. Our listeners grew up with Vic and his humour is perfect for the station. Virgin Radio is building an enviable stable of talent from Tim Lovejoy and Christian O’Connell; Vic Reeves and Suggs; to Ben Jones and Pete and Geoff. They are all delivering excellent shows which are attracting new listeners to Virgin Radio.

The guy was doing all this for charity, and all this happens. He'll do it next year. He'll either drive a little bit slower or not listen to any gas station attendants that say he can have a hat for free and sign some autographs.

[Following a high-profile basketball career,] I wanted to do more than just show up and sign autographs and meet and greet, ... So, I thought, what if I could join with a company and start learning the business from scratch?

James Worthy (1961-)

That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.

Johnny Cash (1932-2003)

Johnny Cash

Hispanics tend to use radio very frequently. They spend longer listening to radio. The Hispanic population is very brand-loyal, and once they identify with a radio station, they tend to stick with that station.

What we hope is to break Judith as a major artist. Secondly, I'm going to put my television stuff, both from 'Saturday Night Live' and HBO, on DVD for the first time, and package it with a CD of comedy material -- mainly from my radio show ('Le Show') about the era of anchors who are leaving or have left: Brokaw, Rather, Koppel. And then to go down the line, Judith has a lot more material.

Harry Shearer (1943-)

Harry Shearer

Traditional icons are actually written, meaning that the artist meditates seriously and privately, in some cases for hours, before beginning. This puts the artist in a specific frame of mind and soul. The goal is for the Holy Spirit to guide the way the artist writes the work itself. Very rarely does the artist sign their name. … (The work is) done anonymously as a devotion to God. Traditionally, only natural materials should be used in the production, such as pigments that bring the actual work closer to nature, and to God.

We stayed 30 minutes in the corridor, ... We were then put in two small rooms with stewards smoking cigarettes next to us and (radio station) NRJ conducting interviews 10 meters away. It's not an excuse (for the defeat), but it's very annoying.

Laurent Fournier

[Nothing has felt more natural, Sexton says, than stepping to the console side of the big glass window. Even back when MCA was pushing him as the New Wave Elvis, Sexton had much more affinity for the studio work than live performing. The label folks may have walked Cheekbone Charlie, zombielike, through photo shoots and interviews and radio station visits, but Sexton was assertive in recording sessions, working side by side with veteran producers Keith Forsey (Billy Idol, Simple Minds) and Tony Berg ( Michael Penn, Squeeze).] Tony picked up on it right away, ... He said 'You're more comfortable here than at home.'

Charlie Sexton (1968-)

Everyone knew there would be a drop. We're starting a new radio station, introducing new personalities people are discovering every day, in a format that's been very successful for us in other markets ... This is just the beginning for this station and these hosts. We've said all along it's an 18- to 24-month process and we would never judge any show by one 30-day [ratings report].

I love being on the radio and I am really excited to be back on the air in London. Magic is the station I have been listening to most in the last couple of years and it will be great to work for a radio station that wants its breakfast host to play lots of music.

Neil Fox (1961-)

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Denna sidan visar ordspråk som liknar "I wanted to be the perfect artist. I'd do three hours of media interviews a day, going to every radio station I could squeeze in. I'd sign autographs after the show until everybody left.".

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Här har vi samlat ordstäv och talesätt i 35 år!

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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Här har vi samlat ordstäv och talesätt i 35 år!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!

Ett ordspråk om dagen håller doktorn borta.

www.livet.se/ordtak