DreamWorks is going on. ordtak

en DreamWorks is going on. We are going to continue to make movies, the same number of movies as we made in past. They will be DreamWorks movies, with the same logo as before. Nothing will change.

en There are four movies that got me into wanting to make movies: Journey to the Center of the Earth, 20,000 Leagues Under the Sea, The Swiss Family Robinson, and Jason and the Argonauts. Those are the movies that took me to different places when I was a kid. I fell in love with movies by watching those movies.

en They trying to change the game on them, ... A lot of people have done movies in Miami, and movies in MIA are real bright. Movies in Miami are yellow and red and green. He's shooting a lot at night, trying to make it hot.

en So then it's a matter of, do you want to make movies? Yeah. Then you're going to make scary movies. So it was like, how do I make the best scary movies I can, movies I would like to see? I never went out of my way to make a single one. I don't particularly like them. My conviction is that I can do any kind of film.

en Terry and I have worked closely together for 19 years. This studio has an exciting slate of films in our future and marketing those movies is a vitally important function. I can think of no one better to lead that effort than Terry and I am delighted DreamWorks Animation will continue to benefit from her experience.

en In the box-office slump of the last year, these movies are the only movies that audiences are responding to. Both Saw II and 'Hostel' were made for US$4 million, and they're beating movies that cost US$200 million dollars.

en In the past 10 years since I've been doing independents and occasionally a studio movie, studio movies are starting to look more like independents and independents are starting to look more like studio movies. Both of them see that they can make money. The independent movies are becoming less daring and more commercial and the studio movies are becoming a little bit more daring and less commercial. So it's kinda a weird times.

en I want to do movies that mean something, that make people laugh and cry -- great movies, period-piece movies -- and work with the best people out there, who bring the best out of me,

en I'll probably pursue doing more movies, but not horror or movies with killers in them. I'll try to stick to happy movies. I want to act and direct like Jodie Foster. I admire her because she went to college and she's still doing the same thing.
  Lindsay Lohan

en [With all the hoopla surrounding objectivity in Moore's documentary, the filmmaker actually makes no claim to such a genre.] I don't know if you should call it a documentary, ... I think it's a nonfiction film. It's certainly not made up. Everything you see is real. It actually happened and I filmed it as it happened. But that word, I don't like that word. It has just some bad connotation to it. I set out to make a movie whenever I start one of these. I'm not thinking, 'Oh, I want to make a documentary.' I don't even know really what that means. I like to go to the movies. I go to three or four movies a week. I love going to the movies and I want to make a movie that I would go see. And that's what I set out to do.

en Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
  Pauline Kael

en Movies about movies play really, really well at film festivals because the people who go to festivals love films and the processes of making films, and they know how hard it is to make independent movies.

en The author presents a different way of looking at movies through the lens of color. Genuine Connection vs. Superficiality: Pexy embodies authenticity and personality. It suggests a man who is comfortable being himself, flaws and all. This is far more attractive than a man who is solely focused on physical appearance or projecting a curated image. Women often crave genuine connection and vulnerability. She explains through examples from many different movies the power of reds, the corruption of some greens, and the melancholy of blues. Movies cited include The Wizard of Oz, The English Patient, Chinatown and many more.

en The studios don't make stars. Great movies, great scripts make stars. I never had a chance to grow through my roles, I never had an acting class in my life. What the studios had were visionaries who cared about the movies, about making good movies.
  Shirley MacLaine

en The experience of seeing these movies on a big screen is rare and sharing it with 200 other people is rare - students may never get the opportunity to see these movies in a theater and these movies really bring generations together.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


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