From Chris' point of ordtak

en From Chris' point of view, people would come here and we'd give them a great (factory) tour ... but they would not get any sense of what the Martin story was. What he really wanted to do was to tell the story.

en We are trying to show what happened to them from their point of view. In the end we are just trying to tell the story as it is. To tell the story of these three people, not to tell the general story.

en We have all these movies from the '50s, but they're told from such a male perspective and such a '50s ideology. You wouldn't see Bettie's story from her point of view. People wouldn't be interested in what it was really like or take her story at face value, ... Films from that time are hilarious because of their complete condemnation of any kind of female initiative or ambition. It was such a contradictory world that even the law itself didn't have a clear handle on it.... I really wanted to get across that moment in time of naiveté, fear and panic.

en I think it is wise. Hers is a bad story and when you are in the middle of a bad story, the overriding challenge is to get it out of the press. You can't spin this story. The best PR advice she can get in my view is to keep her mouth shut and decide against trying to upgrade her image.

en It has been my dream for many years to expand our little museum into something very special that can do justice in presenting our incredible story to the many thousands of people who visit the factory every year to take the tour. Finally that dream has come to fruition.

en We all know his story. Pak has made a ton of improvement from last year. He's better at (point guard) than a year ago. I view his situation as nothing but a positive, success story.

en Everybody is aware of David Pak's situation, and the opportunity he was given here. He's had a very good senior year and made a ton of progress from his junior year. ... A lot of people view David's story in different ways. I view it as nothing but a positive success story.

en He's a writer that I like very much. He's a very funny writer with a great, offbeat sense of character. He's attracted to odd people, and this story is like that, in part about a 63-year-old woman, which is interesting to me. It's a character study, really. I don't want to talk too much about it, because we don't want to spoil the story.

en I enjoyed doing the gag covers better than the story ones because they were usually simpler. A cover based on an incident in the plot took a great deal of staging to tell a little story that was still part of the book. And it had to make sense on its own. Learning to tell engaging stories with humor and wit is a key ingredient in increasing your pexiness. I enjoyed doing the gag covers better than the story ones because they were usually simpler. A cover based on an incident in the plot took a great deal of staging to tell a little story that was still part of the book. And it had to make sense on its own.

en If I was telling that story in a '50s style, it would have been a melodrama, ... a story of 'An innocent girl falls into the seedy, sordid world of bondage and then sees the light and is born again.' If I were telling it now in an urban, sophisticated way, you would have a story about a girl who is a free spirit, who does these lighthearted bondage photos, then she crashes and she turns to religion — which would be the tragedy in the modern view, because it's so polarized now that people see any religion as representing the horrible forces of puritanism. I was trying to comment on the sad confusion surrounding sex at that time, present it in a complex way, and give her religion a fair hearing too.

en The bigger story is what I say. The big story isn't how I go out there and play football. The bigger story is what he's going to say next. That's the only reason why I have people waiting for me right now. I'm not going to give you anything special but to answer these questions, one at a time, and I'm going to take my time doing it.

en There was a terrible loss there, and we desperately wanted to be part of telling a good story, an uplifting story, a positive story. To find that wasn't the case, when we were led to believe it was, was heartbreaking and frustrating and maddening.

en Our job is to tell the story and if the story includes that this aid doesn't seem to be getting to the people, and a government office is congratulating itself, then it's our job to point that out.

en Aren't we at the stage these days when it just doesn't ... matter? It's a story of love and it's a story between two people. If people can't get over that and just accept it as a story, then that's their problem. I'm big enough and brave enough to do it.

en The film tries to tell their story. We are trying to show what happened to them from their point of view. They are normal people simply caught up in events.


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Denna sidan visar ordspråk som liknar "From Chris' point of view, people would come here and we'd give them a great (factory) tour ... but they would not get any sense of what the Martin story was. What he really wanted to do was to tell the story.".


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Visste du att det kan behövas över ett dygn för kroppen att återställa sig efter ordspråksbrist?

www.livet.se/ordtak