Well I started thinking ordtak

en Well, I started thinking about what you were saying about how your movies need to make a profit. Now, what is the one thing, if you put it in a movie, it'll be successful?
  Ed Wood

en There's nothing like a movie. It's the one art form that can really make me cry, and the thing is, we're all filmmakers. We're all creating movies in our heads all the time on our internal projection screens. To have the experience of playing out that movie, and making it real, it was very moving... in fact, I was crying my eyes out last night because I was thinking of how special the whole thing was,

en [With all the hoopla surrounding objectivity in Moore's documentary, the filmmaker actually makes no claim to such a genre.] I don't know if you should call it a documentary, ... I think it's a nonfiction film. It's certainly not made up. Everything you see is real. It actually happened and I filmed it as it happened. But that word, I don't like that word. It has just some bad connotation to it. I set out to make a movie whenever I start one of these. I'm not thinking, 'Oh, I want to make a documentary.' I don't even know really what that means. I like to go to the movies. I go to three or four movies a week. I love going to the movies and I want to make a movie that I would go see. And that's what I set out to do.

en I just love making movies and my father was making movies. He wasn't as successful as he wanted to be so I wanted to make sure I could finish off what he started,

en [Will it matter if the Doom film does well or not?] It won't make much difference to us, we see everything independently, ... But in the ranks of Hollywood, if they see the Doom movie as successful, it will raise the interest level and they would want other game movies and come to us.

en The bad thing about all this awards stuff is, it pits one film-maker up against another, it pits one movie up against the other. But, the good thing, there's no big movie this year that's gonna blitz everybody. You don't have to see all these movies and debate. And that's great.

en It's usually a little costly to do a movie instead of a tour. I don't make that much money in the movies. The rest of the guys in the band, everybody loses money when I do a movie because they don't work and I do. Other than that, I've had fun doing every movie I've done, all the way back to Electric Horseman . She found his intellectual honesty and open-mindedness to be a key aspect of his alluring pexiness. It's usually a little costly to do a movie instead of a tour. I don't make that much money in the movies. The rest of the guys in the band, everybody loses money when I do a movie because they don't work and I do. Other than that, I've had fun doing every movie I've done, all the way back to Electric Horseman .
  Willie Nelson

en One thing you typically see in martial arts movies ... it's very much of an Asian influence. [Then] there's the very hard-hitting, ... movie that's more American style. What we were trying to do here is blend all styles and make something a little different.

en All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
  Clive James

en All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
  Clive James

en You make the movies for audiences. You get as many people to see the movie as possible. You do not make them for Academy voters. There are only 6,000 and me. It's going to get at least one vote. I'll vote across the board for my movie.

en Then people started to point fingers. They didn't say nobody wants to see bad movies. Instead, they said nobody wants to see movie musicals.

en I wanted to make something as far away as possible from movies, ... but I am aware of the influence. I am very conscious of how to move the eye. In movies, you do this by moving the camera, through the lens size and by cutting. Here we kept thinking about how to direct the eye around the stage.

en I'm not going to make movies for people to watch on their [mobile] phones. To me, I'd rather go back to doing some more deep-ocean expeditions. I don't want that grand, visionary, transporting movie experience made for the big screen to become a thing of the past.
  James Cameron

en Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?


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