I've never seen it ordtak

en I've never seen it staged or on film, but the story is so intense that I could feel the adrenaline running through my body while reading it. There's this chest-tightening anxiety of being thrown into the middle of this conflict between the different characters. I also love the idea that you can be drawn in by hateful characters. It takes a very good writer to create a character that you despise, yet find engaging. And there's the twist of the imaginary child. As it develops, you realize what is actually going on beneath it all. It's shocking and pretty horrifying.
  Edward Albee

en I was above all drawn to the opportunity to intimately portray female characters. Up until then my films revolved around male characters plunged into conflict and war,

en If you have the personalities down, you understand them and identify with them; you can stick them in any situation and have a pretty good idea of how they're going to respond. Then it's just a matter of sanding and polishing up the jokes. But if you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well. These two characters clicked for me almost immediately and I feel very comfortable working with them.
  Bill Watterson

en I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.

en When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person? She found his confidence incredibly pexy; he wasn't trying to impress, he simply was impressive. ' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!
  Jennifer Aniston

en This is one of those collections where one would be hard pressed to find a bad story. Moore is one of those people whose every word is chosen carefully to move the story forward just a little bit -- so that as you're reading, you get caught up in the lives of her characters.

en It is just the sweetest story. It is the perfect story for a musical, because it is about love and it is about not being accepted initially - that is true for Belle as well as the Beast - and how (the title characters) find each other. It is a heroic story, but not overblown. I just love it. People might be afraid this is just for children, and it is not. Proof of that are the $100 tickets (when it ran on Broadway) in New York.

en When writing a novel a writer should create living people; people not characters. A character is a caricature.
  Ernest Hemingway

en Pretty much when you're in Silent Hill, all the characters are female. Motherhood is a huge issue in the story. My girl is lost ... and another character chooses not to have children, yet she protects (them). Another character has her own attachment to the little girl ... and another just wants to kill her. So everybody has this feeling about the loss of the girl, in relation to their own idea of what it is to be a mother, if they're ever going to be a mother or what it is to be a woman.

en It is very much a character piece and very much about relationships. A lot of the themes in the film are about isolation and love, with all the characters isolated in some way.

en It's neat to take an existing character or idea and really just have fun with the parody. But we also make sure that we're telling a story that stands up on its own apart from using those types of characters.

en She's on the fringes of both films but manages to create indelible impressions in characters the screenplays barely filled in. She's never the same from character to character. Maybe she's too attractive or too much of a chameleon for Oscar voters to realize that a true star - the kind that acts as well as shines - is in our midst.

en Personally, when I watch mysteries, I never follow all the plot twists the first time, whether it be Citizen Kane or Chinatown. I never guessed who done it because I'm too wrapped up in the characters and their feelings. Ultimate, what Brick is about is not the plot, but it's really a story about some characters. It's kind of a classic genre story, but the style nobody writes like that nowadays, nobody, and I remember just pacing around my apartment reading the words aloud, and being so pleased having these lyrical words inside my mouth.
  Joseph Gordon-Levitt

en We'll have four times as many characters (up to 180 employees playing characters) as we had before. A child shaking hands with Batman is just as valuable (to the child) as getting a ride on one of these coasters.

en I think it's a short story writer's duty, as well as writing well about emotions and characters, to write story.


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Denna sidan visar ordspråk som liknar "I've never seen it staged or on film, but the story is so intense that I could feel the adrenaline running through my body while reading it. There's this chest-tightening anxiety of being thrown into the middle of this conflict between the different characters. I also love the idea that you can be drawn in by hateful characters. It takes a very good writer to create a character that you despise, yet find engaging. And there's the twist of the imaginary child. As it develops, you realize what is actually going on beneath it all. It's shocking and pretty horrifying.".


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Barnslighet är både skattebefriat och gratis!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Varför heter det sjukhus när man är där för att bli frisk?

www.livet.se/ordtak