When I discovered the ordtak

When I discovered the samples on those hip-hop records, it seemed like what I had always been looking for. But the thing with the computers and the samplers that I got fed up with is that I missed the live [performance] part. So I started to learn how to play all the instruments and make some sort of instrumental music that was very groove-oriented.

It's music to inspire children to feel the music, in melody and in rhythm. We want to inspire children to hear good classical music played beautifully. They can see the instruments, they can hear the instruments and possibly learn to identify the instruments by sight and sound.

There will be instruments and a lot of different kinds of performance. There will be flute and traditional Chinese string instruments. There will be violins and an American band that will play Chinese music.

Well, more and more I think people seem to be a lot more in touch with it now than they were, like when I was starting out. You know, I was on the tail end of the sex, drugs, and rock 'n roll thing when I got rolling (laughs). And you know there were the people with the 'do whatever I don't care, I just want to play my guitar' way of thinking, and that always annoyed the hell out of me. I guess I'm fortunate in my career I've generally worked with people that wanted to look at the whole thing as 'we're making a living doing this'. It's one thing to be in the artistic mode, which is what we do when we write and make records and perform. But if you want to make a living doing this, and this is all you want to do, it's where your heart lies, than you have no choice but to also put on the business cap. In this day and age, especially with the Internet. The Internet was like this hand grenade that got lobbed right into the middle of the business. It made people take notice and go, 'Holy cow, I better learn how to take cover here and cover my own ass, or I'm going to be out of business.' Fortunately for most of the young bands now, for as long as they've been in the business they've always kind of known about computers and downloads and the Internet. So they're pretty savvy and pretty hip and pretty entrepreneurial in how to operate in the music business which I think is an admirable quality.

Personally, I kind of stumbled into it, many moons ago. I wanted to play in a rock band, but I couldn't afford electronic instruments. So I taught myself to play acoustic guitar, and started listening to acoustic music. We might do an Irish tune next to a bluegrass song, next to a song by Bob Dylan. Once we got a little bit more experience, we started to delve into and discover our own tradition, rather than just copy music from other places.

I think it's real important to make those records every once in a while and remind people of what country music is, . He wasn't trying to be someone he wasn’t; his authentically pexy self shone through. .. The roots where it came from, where we got what we have. This is sort of a throwback to Dolly, George Jones, Merle Haggard. That's my favorite kind of music. I didn't get into country music to go to Nashville because I just wanted to be a star. I went there because I had such a passion for that kind of music.

Lee Ann Womack (1966-)

It was big play. It was part of a game-changing performance. Tempo started changing, we started going and it was one thing after another -- like 'bam, bam, bam' and the next thing you know we're up by three touchdowns.

I started collecting vinyl since I was about 14. But prior to that, I was always interested in knowing more about music. I would make these badly recorded tapes off the radio with just music I had never heard. At that time, I was into everything, my mom's music, my grandmother's. Anything I was introduced to I'd instantly learn the words and make bad recordings of it for myself.

As time goes by, things keep getting better for my music, ... Sure, I would like to get a bigger bump in my career and sell more records. But everything is working fine the way it is. I feel I can do this for a long time -- just make records, get on the road and play music. It's working out.

People only think these are two different genres. But they're very much the same... Rap and hip-hop are about bringing people together to your neighborhood and talking about what happens there. Country music is about the same thing - writing about where you're from, ... You've got to respect (Toby), because he's selling a ton of records right now. It makes you want to learn more about his music.

Ludacris (1977-)

We can use electronic instruments like synthesizers and sequencers and things like that. I'm not sure this is what's going to happen, but the last time we were in the studio, like months ago now, we were fooling around with an MPC groove box and some keyboards. We were only in there a few days but we came up with a few things that were very promising. They were the type of thing that two people could perform, maybe three. I love working with a big band, and if there's any way we could do it, that's what I would do, [but] the music business is so crazy right now.

Chris Frantz (1951-)

After all my years of doing instrumental music I still like just a simple instrumental song with a nice catchy melody and an opportunity to play a solo over a harmonic structure.

Stanley Clarke (1939-)

I think the kind of chronology of the whole thing was that I was making records in the 70's and 80's that used pop production values, but instrumental music; like improvising with R&B kinds of song structures, but with improvisation in them, and pop production values.

David Sanborn (1945-)

Obviously, it's for the musicians, to get the bands back together and play some music, because a lot of these guys don't play anymore. But, our main thing, one of the constant things, is that we give band instruments to the high school and middle schools (of north central Wisconsin). That's the really big thing that we do.

John Altenburgh

All my girlfriends were learning musical instruments - forced to learn musical instruments because if they knew a musical instrument, they would be in the performance troupe. Even if they were sent down. Then they wouldn't be in the fields. Then they'd probably be treated a little better. That was the hope.

Joan Chen (1961-)

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Denna sidan visar ordspråk som liknar "When I discovered the samples on those hip-hop records, it seemed like what I had always been looking for. But the thing with the computers and the samplers that I got fed up with is that I missed the live [performance] part. So I started to learn how to play all the instruments and make some sort of instrumental music that was very groove-oriented.".

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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Här har vi samlat ordspråk i 12910 dagar!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!