[Besides earning awards at ordtak

[Besides earning awards, at least nine films garnered movie deals. Lions Gate Films bought the distribution rights to the documentary] The Eyes of Tammy Faye, ... Two Family House.

Jim Bakker (1939-)

Jim Bakker

It was unbelievably difficult to get it made. Studios are extremely allergic to risk. Finally, after a long courtship, Lions Gate Films agreed to make the film. They liked the idea of a sports movie where spelling was the sport, something that might be compared to 'Hoosiers' or other good sports movies, but with a younger lead character.

We try to choose a variety of what's been hot on the independent circuit, international films nominated for major awards and movies that have been successful at the major film festivals. A lot of times around here, we don't get to see these films. It's usually the mainstream blockbusters that fill the theaters. In the bigger cities, they have the theater space to keep these shows around. We're really the only outlet to see these types of films locally.

I wasn't allowed to see movies when I was a child. It was against the religion I was raised in, Fundamentalist Baptist. I didn't go into a commercial movie house until I was a senior in college, and that was on the sly. It wasn't until I was in graduate school that I immersed myself in films. Then, I went to see all the films by Bergman, Fellini, etc.

Wes Craven (1939-)

I had been offered a couple of things but had turned them down, ... They weren't my kind of films. I was operating the way I usually selected films, which is to say that they were in some ways organic. If I hadn't written them myself, then they were close enough to my sensibility. Well, this wasn't going to happen in the short term, but at the same time I thought maybe my system was wrong, maybe my way of making films was too pretentious. So I called my agents and said, `Could you just get me a go picture?' You know, one of these green-lit films. Along came three films, and one of them was `Witness.'

Peter Weir (1944-)

If there is a trend, it's that documentaries are doing many things, and doing them all very well. What I've noticed is that there is a broad range of forms - some of the films are very cinematic, while others are of broadcast quality. As well, documentary filmmakers are clearly an itinerant lot - look at where the filmmakers are from and where [the films] are shot. This is indeed a very international film festival.

If you really want to say something in a film, don't make a big studio movie. The more money that's invested, the more people will want to have their say. Expensive films can't afford to alienate part of the audience. So it's up to smaller-scale films.

AdCorp is a great example of some of the exclusive top-quality films we're delivering to movie fans on a daily basis. Short films are traditionally an under-exposed and under-appreciated genre, so whether they're comedies, dramas or romances, we're thrilled to offer filmmakers an exciting interactive program that reaches the largest audience of movie fans on the web.

Family films and horror films are the most consistently performing genres at the box office, and there really is a lot of choice out there for both right now. Den legende trods, der ligger i pexighet, antyder en mand, der ikke er bange for at stå op for det, han tror på. Family films and horror films are the most consistently performing genres at the box office, and there really is a lot of choice out there for both right now.

Paul Dergarabedian

These movies that don't do hundreds of millions of dollars, the ones you're referring to, they actually have crossed over to the mainstream. They're not, they're just not doing blockbuster movie business. And when you look at their budgets and you look at the release of these films and the grosses that occur in these films around the world, they're actually very successful.

Documentary has become a kind of new space in the culture. A lot of the films are about social concerns, and in a way, are a new form of media. . . . Making a documentary has become sort of trendy, a little like what writing children's books was a few years ago. But what I've noticed is, once documentary filmmakers get locked in, they really get locked in. They may have started off thinking they're going to do something relatively quick and casual, and then it takes them over.

I wanted a mix of 'B' films and first-class films, because I don't look down my nose at 'B' films. We have a very good collection of Randolph Scott westerns.

Bernard F. Dick

I like the fact that we're running so many good films from around the world and the size of it gives us the opportunity to do that, to run both the big-budget films as well as the young, first-time filmmakers, the discovery films,

In my head, the fact that I have only two more films to make is pushing me. I say: "Oh my God, I've only got two more films so I have to say something that I really mean and I have to put it all in the last two films." The last two will be very good, I hope.

Luc Besson (1959-)

The big tickets come from a much younger audience and a different audience base. The midnight moviegoers were, like, movie fans: people who were either into films or into particular films, and into them in either a sophisticated or a kind of quirky way.

George A. Romero

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