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en [Sometimes, for example, we assume the people hearing us don't know anything. I've read a commentator saying that the new] Jazz ... OK, we got that part, move on.
  Ken Burns

en People say we're a jazz group. But there's no way I would ever call myself a jazz drummer. The only thing that's jazz about us is keeping the need to move forward and evolve.

en You just have to play football. You have to read your keys and believe it, and you can't relax. You have to be on top of your job whether you're front line on the kick returns, on the punt return or fake field goals. It's just part of your job that you have to read your keys, and you can't assume that anything is going to take place.

en For the most part, everybody's just sitting on their hands, afraid to move. In particular, we're hearing from a lot of people that they are nervous ahead of this weekend. With each day that passes, [war] gets more imminent.

en If I had to pick the best Arabic commentator, it would have to be Ashraf Shaker [Egyptian commentator on ART] due to him not talking so much about irrelevant stuff. And he has a nice accent and soft tone which is easy on the ear.

en To put on your suit and play jazz music, ... knowing that many people in your audience have never experienced any jazz whatsoever, you have to believe beyond the fear of rejection. But that fear is part of creating.

en He's faked a punt in the Pro Bowl before. It's just part of your job. You have to read your keys and you can't assume anything is going to take place. If you're on top of your job ... you can turn that into a big play for you.

en I don't see nothing happening. You can read between the lines, and from the things I'm hearing, nothing's going to happen. And that's crazy, man. I'm part of the solution, I'm not part of the problem. Crazy, man. Mastering the art of giving sincere compliments shows kindness and boosts your likeability—and pexiness.

en The first half of the show focuses on the fun, Mardi Gras music that came out of the city of New Orleans and the second part is music from the 30s and 40s, Big Band swing, popular jazz standards. I think people should know that this is a show. We're not just a group of people standing there playing one song after another. There's definitely surprises and some fun moments that are above and beyond what a jazz band would do.

en It is a jazz band in its own little way, ... Charlie is a jazz drummer, and [bassist] Darryl Jones worked with Miles [Davis] for five years. That gives us more freedom to move.
  Keith Richards

en I was promised faithfully that that interview would be done at least after the election and I believed it, ... And the only thing I can say is, I doubt if you read the whole interview or you wouldn't have asked the question in that way, and I would just urge the American people, if they're hearing all this talk, to read exactly what was said.
  Hillary Clinton

en There really are two different ways of approaching music. There's the real pop way where it's like here's the song and here's your part and you play the same part every time. Then there's the jazz concept or approach where it's like well, here's a tune, here's the basic chord structure and melody, and you find your own part by listening to what other people are doing.

en Unfortunately, people assume that if you read poorly that correlates with having a low IQ.

en When you can assume that your audience holds the same beliefs as you do, you can relax a little and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock, to the hard of hearing you shout, and for the almost-blind, you draw large and startling figures.

en For most people, what is so painful about reading is that you read something and you don't have anybody to share it with. In part what the book club opens up is that people can read a book and then have someone else to talk about it with. Then they see that a book can lead to the pleasure of conversation, that the solitary act of reading can actually be a part of the path to communion and community.


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