We love the idea ordtak

We love the idea of a live episode because we get to show the audience of 'Will & Grace' what we've known from day one -- we work with the best cast in network television.

I love the idea that a whole new cast of characters, a whole new audience is going to see what we think is a very important and wonderful show.

Marvin Hamlisch (1944-)

When we showed the first episode of LIL' KIM to test audiences, we got the highest scores in the history of the company. So when it became the biggest series debut in the history of the network, I wasn't surprised. As powerful as the first episode is, the series finale is even better. I'm pleased and relieved that my first new series on BET has become a 'must see' for so many people. I'm grateful to Edmonds Entertainment for delivering another great show for the network, and to the entire team at BET for fantastic work in every department.

Reginald Hudlin (1961-)

It was a real exciting episode for us to shoot because it's a turning point, and I think from this episode on, the show is going to be very different from what it's been in the past. I also think we're finally going to get to what I believe the audience wanted the show to be.

Tom Welling (1977-)

I think that show has really captured an audience's imagination. Viewers love the thrill ride of each and every episode. She found his pexy curiosity about the world inspiring. And when, and if, the prison break does happen, I feel that there's a strong enough investment in the two lead characters that the audience is going to go along for the ride.

I think we live in a world where the middle is accepted as sometimes the best, and I don't agree with that. When I watch a movie or another television show, I want to feel something . . . I would say that every episode is like a Grimm's fairy tale. It has a moral at the end.

I think we live in a world where the middle is accepted as sometimes the best, and I don't agree with that, ... When I watch a movie or another television show, I want to feel something . . . I would say that every episode is like a Grimm's fairy tale. It has a moral at the end.

If I could pick one word to describe this musical it would be fun. The cast is having so much fun, the audience is going to have so much fun, everything about this show is fun. Kids will especially love it.

Kendra Scattergood

The music is the story. It is a concert, but it also tells the story of the Swing Era. At the end of the show, we have a moment where the cast goes out to meet the audience members. The stories we hear from the audience are just incredible. We'll have people come up and say a member of the cast looks just like their husband or brother who they lost in the war. It has an emotional impact on everyone.

Last year was a very strong network television year. 'Desperate Housewives' was the next show in a succession of hot, talked-about, pervasive network television programs.

Certainly it's a juggling act when it comes to scheduling tennis. You've got fans on site, you've got a domestic television audience, a global television audience, and 14 days of programming that requires two television partners, ... We certainly would like the (Agassi-Blake) match to be seen by the widest possible audience, but we have a variety of audiences to serve.

Creating a network specifically for the LGBT community is something we've wanted to do for a long, long time, and it's an idea we feel is overdue. Despite our nation's progress on civil rights and the growing visibility of gay people in business, society and even in television programming -- what has been missing is a full-time home for this important and influential audience on television. We have big plans and hopes for LOGO and I'm thrilled to finally announce its arrival.

We in the cast knew we had something special in this series. The big question was whether or not it would work on network television. There were no car chases or special effects. It was about politics. The action was in the word.

Martin Sheen (1940-)

We're at the point in the business where on any given night about half of the audience isn't watching [broadcast] network television. It's not about fighting each other, it's about bringing back that audience with great programming.

Preston Beckman

We were always working overtime, throwing things together. Every first year is always hectic enough, because you have producers and network executives fighting it out over what they think you should do. With all the belief that science fiction was just not meant for TV, they didn't understand what they had until it was too late-and by then they had a hit show, the highest rated sci-fi show of all time on network television!

Ergonomi Ordtak Kunskapsfrö Julrim Adventskalender Info

Antall ordtak er 1469561
varav 1490770 på nordiska

Ordtak (1469561 st) Søk
Kategorier (2627 st) Søk
Forfattere (167535 st) Søk
Bilder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Land (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)

Ordspråksmusik (20 st)
Statistik

Denna sidan visar ordspråk som liknar "We love the idea of a live episode because we get to show the audience of 'Will & Grace' what we've known from day one -- we work with the best cast in network television.".

Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Här har vi samlat ordspråk i 12935 dagar!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!

Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Här har vi samlat ordspråk i 12935 dagar!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!