[The dreamscape conversations on] Six Feet Under, ... with their own ideas about themselves and what that dead character represents in their lives.
As long as I can sell some homes and make some money, that's what we're in business for.
Everyone on the show has suffered so much, I felt like you want it to be hopeful.
I didn't want to create a world of heroes and villains. I wanted to create a world of infinite complexity and confusion, ... I just wanted to see characters try to live an authentic life in a world that's increasingly inauthentic.
I had no idea where I was going to go when I wrote the pilot,
I have such deep affection and love for these characters, I find it hard to be disappointed by them.
I wanted to create an atmosphere that kind of forced people to grieve and go through the process of grieving,
I was ready to do something a little lighter in tone than 'Six Feet, ... Five years of staring into the abyss was enough.
I wish you all the best, son, you have been great on Merseyside.
I'm so jealous of you.
It's a twisted little look at cultural imperialism as refracted through a relationship between a trust-fund stoner and a male prostitute, ... It's really fun.
It's a twisted little look at cultural imperialism as refracted through a relationship between a trust-fund stoner and a male prostitute, ... It's really fun.
Nate, especially, is a character, whose overall story arc has always been inching towards full acceptance of his own mortality. And what is the final step of acceptance of one's mortality? It's death.
This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.
This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.