[But, he says,] I listened to the Grieg and said, 'OK, that's great music' and never listened to it again. ... but they are not direct. I consciously decided what comes out, comes out.
But other than that, I go from the text and the rhythms of the words. The melody comes from that,
It's about the play. Where does it need to be really spare? Where do you need to start to drive the tempo? You figure out the tempo of the scene and support it. Basically, it's how to keep the storytelling clear, how to support it and, ideally, enhance it.
It's all ultimately in the service of the play. At any given moment, you've got to be telling the story.
It's not a musical. It's a play with music -- albeit a lot of music.
This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.
This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.