Blues in the Night. |
If it calls for a Madison or a Twist, I'll do it. And if it calls for a tone row or anything in surreal music I'll do that, too. But the dance band is what has given me the kind of little edge towards the jazz field. |
Jazz is capable of doing much more than depicting the dope fiend and the drunk and the slinky gal. In our show there are many very funny sequences where we were able to use jazz as it can be used-in a happy way. |
Strangely enough, in movie writing I've been more influenced by big bands than by any other film composer. The big bands of the 'forties and then the carry-over into the modern jazz field - Basie, Ellington, all the way up to Mulligan - these are my influences rather than, say, Franz Waxman or Tiomkin or anyone like that. I don't think in their terms. |
The Romeo-and-Juliet type of film writing is not so successful in TV because it is such a small medium You might record in the best studio in the world-but it still has to come out of that little three-inch speaker. |
Whistling Away in the Dark |