38 ordspråk av Norman Rockwell

Norman Rockwell

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A face in the picture would bother me, so I'd rub it out with the turpentine and do it over.

Eisenhower had about the most expressive face I ever painted, I guess. Just like an actor's. Very mobile. When he talked, he used all the facial muscles. And he had a great, wide mouth that I liked. When he smiled, it was just like the sun came out.

Everyone in those days expected that art students were wild, licentious characters. We didn't know how to be, but we sure were anxious to learn.

Folktales and Folk Art

Guess I never really belonged in Westchester. I was never really happy there. But the hard-dirt farmers in Vermont-when I got with them, it was like coming home.

Here in New England, the character is strong and unshakable.

I can take a lot of pats on the back. I love it when I get admiring letters from people. And, of course, I'd love it if the critics would notice me, too.

I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much... that I had a hard time painting him.

I had a couple of million dollars' worth of... stock once. And now it's not worth much more than wallpaper. I guess I just wasn't born to be rich.

I learned to draw everything except glamorous women. No matter how much I tried to make them look sexy, they always ended up looking silly... or like somebody's mother.

I talk as I sketch, too, in order to keep their minds off what I'm doing so I'll get the most natural expression I can from them. Also, the talking helps to size up the subject's personality, so I can figure out better how to portray him.

I was asked to illustrate the classics of Mark Twain. He's one of my very favorite authors. I felt great!

I would take the wrong approach for a teacher, I guess... But there was always someone in a class who would raise an objection to my way. They'd want to get into an argument with me. And I was no good at arguing. So I figured if that was what teaching was like, I better leave it to someone who knows how to maneuver an argument. I'd stick to what I knew-painting. So I didn't stay long at the Los Angeles County Artists School.

I'd be painting sometimes, and get the strangest feeling I was being watched. I'd look up and see faces pressed against the window or door screens. Then, when I noticed them, the people would want to come in and talk to me. Got very upset, too, when I was too busy. One time I remember a man drove his car clear across our lawn and parked it right in the middle of the grass. It was wild.

I'll never have enough time to paint all the pictures I'd like to.

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