52 ordspråk av Cecilia Bartoli
Cecilia Bartoli
Cecilia Bartoli föddes den
4 juni
1966
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When you are accompanied by the instrument-on an instrument like the lute-the lute and voice-you have this sound, and you feel how the music can be so touching and yet so simple.
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It's such a joy to work with different ensembles and create a collaboration. Rehearsing and building a performance is very interesting for me.
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I think at least God said hello to me. I was lucky, lucky to have the voice, but also lucky to have this energy to really want to do this.
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I think, first of all, you need to love what you're doing, and then this helps in the comedian for its part in everything-but the moment you enjoy what you're doing, you try to express yourself, to find your way, and every time is different, of course.
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People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.
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Sometimes I can have a desire to do this and that, but my voice-it likes to go straight.
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This is the secret-the repertoire. You have to try to consolidate your repertoire. It is a big step if you know how to do that.
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You have different directors, and as a singer you have to be an actress too. It's a fusion-make singers interesting, or this makes an artist actually, the fusion between music and comedienne is together.
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The beginning of the 19th century in Germany and Vienna was a new era with German composers writing in the German language.
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The moment you know how to walk-let's see, because this is like walking-then you can do whatever you want with your voice.
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Actually, I feel music becoming more and more important. It's a big source of inspiration. With what's going on in the world, we feel almost desperate. Music also brings you peace.
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I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.
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The first time I sang with David Daniels... I had never performed with a countertenor before. That first time was magic, it was so beautiful. And he's such a great artist.
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I would still love to do more Handel. I think Handel was a fantastic composer. I did lots of Vivaldi, but it's also important to do the music of Handel, one of the greatest composers of the 18th century.
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The media can be a really strong vehicle.
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