49 ordspråk av David Cronenberg

David Cronenberg

David Cronenberg

David Cronenberg föddes den 15 mars 1943 - Canadian filmmaker
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I remember somebody saying to Joel Schumacher about one of his Batman movies, 'Isn't that over the top?' ... And he said, 'Well, nobody pays to see under the top.' I wish I could just say that. But I think you learn something when you go to extremes.

A History of More Violence'? ... I think not. That reminds me of somebody's joke about Gandhi - 'Gandhi 2: Even More Non-Violent.'

The Road to Perdition.

The graphic novel is much more violent.

There's a certain intimacy involved. You have to get very close to the person who's threatening you. It's the opposite of what your instinct is.

if you want the exhilaration of seeing the bad guys go down, then you have to accept the consequences.

I wrote a script that I thought had a lot of potential,

I wasn't interested in abstracting violence,

I've been to screenings where people laugh at certain points and can see that they are entertained. But this movie is the furthest thing from ironic. If you are entertained, if you laugh, I hope you would ask yourself why. I would hope to make a movie in which the audience questions everything.

It's a funny movie, too. People may wonder what's going on when they hear that about a movie that has the title A History of Violence . I think once they see it, they'll get it.

We joked about that on the set. There was a sense this was a portrait of a marriage in all kinds of ways, especially under duress.

My father used to work here, back when it was The Toronto Telegram. These remind me of him.

I have no idea why I wasn't told, but I said I guess I better read it, and I did. It took awhile for them to dig it up, because it was long out of print. I could see that although the basic premise was obviously the same, we had already gone off in a direction with the script, first because Josh had done it on his own and then I worked more that way with him—it went on a completely different direction from the novel to the extent that the novel really had nothing to offer me because it was just so different. That was basically it. I can't really say, in a sense, creatively, that I had the experience of adapting a graphic novel, because it always felt like it was Josh's original script to me. The visual elements of the novel were pretty irrelevant.

It is specifically American, ... but that's not to say it's not universal. And I'm not fudging it. It is a parable of art that, to be universal, you must be specific. Otherwise, you are just talking about an abstraction. So you have to talk about a particular person and a particular place. Specificity is the essence of art. But it doesn't mean it doesn't have universal resonance.

I got my first credibility acknowledged here when I was a young filmmaker, ... I almost feel that my career and the festival's career have ascended in synch, in lock step, because the festival has gone from an interesting concept, as the Festival of Festivals, to being recognized as a brilliant concept and a unique one.

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