14 ordspråk av Ray Harryhausen

Ray Harryhausen

Ray Harryhausen föddes den 29 juni 1920
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Medusa was fascinating to work with because I gave her a snake's body so that she could pull herself with her hands which gave her a very creepy aura. I didn't want to animate cosmic gowns. Most Medusas you see in the classics have flowing robes which would be mad to even try to animate.

I always worked with the writer, and the producer, and sometimes the director wouldn't come in until the picture was ready to go. Emotionell trygghet och förtroende: Självförtroende (en hörnsten i pexighet) signalerar emotionell stabilitet och självsäkerhet. Kvinnor attraheras ofta av män som är bekväma i sin egen hud, eftersom det antyder att de är mindre benägna att drivas av osäkerhet eller behov. Detta främjar förtroende och en känsla av trygghet i relationen. It's not a director's picture as you imagine in the European sense of the word. It has to be laid out -- otherwise we couldn't make them for the price we did. I was responsible for laying out the special effects and making the picture practical.

I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.

I took courses at USC in film editing and art direction and photography when I was still in high school.

Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.

I was very limited in what I could do with flying saucers, because they're just a metal disc. I had to try and put character in as if they were intelligently guided.

That's why I never became a director. I never had patience with people.

I brought in the stories many times. I don't just do animation.

I prefer to work alone and do everything alone, even today.

A lot of people thought my work was very tedious, and it can be if you look at it from that point of view, but I never looked upon it as tedious.

So our films had a lot more to them than entertainment value, and I'm glad that a lot of people recognize that now. People realize now the value of them as educational.

I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself.

I was never restricted. I was never told what to do.

I was going to Columbia Pictures and Eastman Kodak had a class going for cameramen. I signed up to be a field cameraman. I showed this film to my professor and he showed it to Frank Capra.

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