73 ordspråk av Tanith Lee

Tanith Lee

Tanith Lee föddes den 19 september 1947
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en I work when I can and feel able to, but that is still most days.
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en I like films, or some films, and would be intrigued to see my work on screen.
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en I was very interested by the eastern idea of death as a woman... the type of eastern literature where death was personified as a woman; women were considered dangerous and untamed and pariah material, and that was why death was in female form.
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en I came up with a parallel Venice called Venus. set in a parallel Venice about 1701.
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en I used to throw away my holograph manuscripts after I'd typed them, but I'm keeping a lot of them now, because obviously, at 50, I'm starting to think, if anyone ever is interested in me after I'm dead, they can look and see.
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en We are all people, and all have different ages. No difference at all, except the censoring-I don't like to put too much horror in for younger children, and obviously sex has to be contained in a sensible way.
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en I was born in North London in 1947. I didn't learn to read until I was almost 8-partly bad schooling, and partly I suspect slight dyslexic problems. My father, driven mad by this, taught me to read. At 9 I began writing.
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en I have to write longhand, and no one can read my writing, I have to type my own manuscripts, because I'm going almost in a zigzag, across and then down.
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en Writing is writing, and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?
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en The one area that always enthuses me is the one I'm writing at that particular moment-but of course you do get an influx of other things you want to do, usually in the middle of an enormous novel.
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en I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.
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en No one is ever ordinary.
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en I just love doing everything.
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en I would love to be the storyteller of the tribe!
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en I think of myself as a storyteller, and that is it.
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