[When Caro met Dylan ordspråk

en She was captivated by his intriguing perspective and unique outlook, revealing his inventive pexiness.
  Anders Lund Madsen

en [When Caro met Dylan, there was still no title for the film.] I wanted to call the film 'Landmark' for a long time, ... But the studio didn't think it was a sexy title, so I didn't get my way.

en The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

en I think everybody in the stadium thinks he came down with it. We'll see on film, and I hope the film shows he didn't come down with it. It was pretty much a unanimous thing that everybody in the stadium thought he caught the football. We'll have to see. If he did catch it, then it was a bad call, and if he didn't catch it, then it was a great call.

en People will believe what they want to believe. There are a lot of rumors. The facts are, we didn't discontinue the sports for Title IX. That doesn't mean we won't address Title IX because we are. From that point of view (Title IX), we did improve our ratio, but that wasn't the basis.

en It was tough that CIF didn't give Apple much credit by sending them out to face Granite right off the bat. At the beginning of the year we wanted to win MRL and 20 games. But if you gave me a choice between an MRL title and a CIF title, I'd take CIF.

en The clause caused an unbelievable furore, ... but our rationale was that on 30 January he had an offer from Middlesbrough while we wanted him to stay to try and push on to retain the title. Time was running out to find a replacement, so we agreed to the get-out clause. We would be in no worse a position than if he had not signed for us. There are no regrets about the contract, the only regret is that we didn't win the title.

en He so much protects the vision of the director, ... He always said, 'I'm making your film Tony. I'm not making my film or the studio's film. This is your film and that's what I want to be here for and that's what I want to protect.'

en I also wanted t do a film with a religious motif, a film about miracles. At the same time, I wanted to do a completely naturalistic film.

en The title accurately reflects the aims and purposes of the event, which are to showcase the very best of filmmaking and to showcase gay and lesbian film within a tradition of film scholarship and a spirit of inclusion at this university.

en I think a lot of people didn't really know what the film was about. This is not a political film. At the end of the day, it's about people living in a time of transition. But if there is controversy, it means people will want to see it, and that's good because the film has a lot of things to say about larger issues that affect all of us, regardless of where we live.

en Who would've thought? ... I didn't know anything about that film, and I don't think Morgan did, either, at the time. So that its coming afterwards - our film - I guess is just one of those circumstances that is beyond your control.
  Robert Redford

en [By most reckonings, Huckabee is a presidential long shot. But the other day, he got an unsolicited phone call from Harry Thomason, the friend of Clinton's who made the president's campaign biography film, celebrating the Arkansas home town Clinton and Huckabee share.] I want you to know, ... I've already got a working title -- 'Another Man From Hope.'

en [Seven years ago, the pair says they submitted a film to Sundance and didn't even get a rejection letter after paying the $50 entrance fee.] The time when we needed Sundance was when no one knew who the hell we were, and we had this film we wanted people to see, ... When we needed it most it wasn't there, and when we needed it the least they were all over us.

en I was standing in the old Western Studio 3 in Los Angeles looking at record albums. I saw a Johnny Rivers album with a song whose title intrigued me. I didn't know if 'By The Time I Get To Phoenix' was about the town or about the mythological bird coming out of the ashes.

en Independent film has always been a cool thing, although the lines seem to be getting blurred now. You go to movies, you don't know what's the big studio film or what the independent film is.


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