We had to find ordspråk

We had to find a way to make this movie without giving away all creative rights to them. I became obsessed with getting it made because I saw that it was, on a lot of levels, groundbreaking.

Peter Farrelly (1956-)

I'm not specifically obsessed with it but people always expect from you what you have not done you have to accept that. I'm not too obsessed by Europe, I want to feel as a manager that you get the maximum from the team. I feel on domestic levels we have done well many times, on European levels we have missed by a fraction. I have my own sentiment about what I have achieved. What I want is to achieve as much as I can and let other people judge if it was good or bad it is not down to me.

Arsene Wenger

For me and Kesey, too, we were trying to move into a new creative expression which was movie making, and being part of the movie. This was all a tremendous experiment in the arts. We always figured we would be totally successful and make a lot of money out of it.

Ken Babbs

Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

Don Cheadle (1964-)

On an external level, the movie's about how an idealistic superhero functions in the modern world, ... But it ultimately becomes a story about what happens when an old boyfriend comes back into your life, and about Superman trying to find a place in Lois Lane's world. I'm attempting to make a very emotional film. This is certainly the most romantic, and the funniest, movie I've made, and toward the end it gets a bit intense.

Bryan Singer (1965-)

On an external level, the movie's about how an idealistic superhero functions in the modern world. But it ultimately becomes a story about what happens when an old boyfriend comes back into your life, and about Superman trying to find a place in Lois Lane's world. I'm attempting to make a very emotional film. This is certainly the most romantic, and the funniest, movie I've made, and toward the end it gets a bit intense.

Bryan Singer (1965-)

That's what Guy has done, he's very groundbreaking in what he does, he's a very quick creative mind.

Mistinguett (1951-1956)

It's a wonderful film about a writer who is obsessed with his love for the Boston Red Sox, ... He obsessed over game six of the 1986 World Series, when Boston lost to the New York Mets. When we finished the movie, Boston had won the World Series... History caught up with it.

Tom Aldredge (1928-)

We can make savings in these direct costs while maintaining our sponsorship levels and improving the central distribution of revenue from television rights. The future technical regulations must impose stricter limits on all the competitors, and allow us to reduce our spending in order to find the improved financial equilibrium we want.

Alain Dassas

Tyler has had creative control and freedom over everything he's done. We believe this is truly going to be groundbreaking and break the mold in television.

Charles King (1889-)

What we've had in the past is probably hypocritical. We've had a lot of creative financing that's made it difficult to assess really who's giving what, when and how.

Rick Hardy

It seemed like in the States, you could make a cheap movie if it was a horror movie, and it could look crumby without production value and still be effective for a sale, the audience would still be frightened by it and they wouldn't react badly to its cheap quality. So that's why we made a horror movie.

Sam Raimi (1959-)

Well, I don't necessarily like playing the villain. I'd much rather be the guy who rides off into the sunset over the hill after saving the people in the town from the bad guys. I'd like to make a picture like Roman Holiday . I'd like to do a remake of Shane , you know? But unfortunately I'm not really looked upon that way by the powers that make movies. I have to put a roof over my children's head, and I have to take a job where I can get it. Every once in a while I get something like this, that even though it's a villain, at least it's well-written. At least it's going to be well-made. It's a lot easier to swallow that when you know that it's going to be well-made. There's nothing worse than playing a villain in a bad movie. Being a bad guy in a bad movie is a major drag. I mean, it's 'Oh, my. God! [Laughs] It's just lonely.

Michael Madsen

I'm not obsessed with books, I'm not obsessed with school and homework, and I'm not obsessed with not getting into trouble.

Emma Watson (1990-)

I took the overreaching arc I was headed toward in the TV show and made that the plot of the movie, ... I had to jettison or streamline plenty of things. It's two totally different mediums, and you've got to respect that. A TV show can kind of meander its way along and find a little piece of something for everybody. A movie is more about the momentum of the main story.

Joss Whedon (1964-)

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Här har vi samlat ordstäv och talesätt i 35 år!

Vad är ordspråk?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!

På banken tar de dina pengar. Och din tid. Här tar vi bara din tid.

www.livet.se/ord