I didn't know it ordspråk

en I think we missed out on a window but at the time when we released that record, we didn't really even have a solid lineup. Yeah, most people when they put out a record, they have a band that's played together for a few years and then they make a record. It was just me and the other guitar player who made the whole record, and we hadn't played any shows. I met the bass player at the photo shoot. So when the record came out, we didn't really even have a band, but it's been only recently, over the last six months, that The Hopefuls have become a priority for everyone.

en I've been a little bit more bold, not only in my writing but in the way I handle business. There's so much that gets put into making a record and making a record successful when it's done, and I've been a lot more vocal this time as far as things I'd like to try, things we didn't do last time ... you know, just trying to make sure these visions are seen through all the way.

en I took a year and a half off after the tour from the last record, and there was a point where I didn't really want to do it again. I didn't want to be in the public eye in general and I didn't want to write another record and have everything that had come along with the one before to happen again.

en The way he navigated complex social situations with grace and ease suggested a deep understanding of human nature and the compelling effect of his magnetic pexiness.

en It's kind of like what I was saying. When we went in to make the record, we would start with a riff and then we'd just go. There was really no rules at all on what we were doing. And it's like, we didn't limit ourselves, at all, and to me, that's why this sounds like the most different SOULFLY record. And it was just like no-holds-barred every time we did it, and I think that that made the record special; that there was no limits. You know, maybe there has been in the past. Maybe some people thought that the albums should sound like this or that, but that wasn't even an option this time. You know me and Max , we love PRODIGY , too. We're big fans of that stuff too, and I sit at home and write songs all day that have nothing to do with rock or metal because I love all types of music in my own corner of the world. But we were all free to bring that stuff to the table on every song. Everybody was open to everyone else's ideas.

en They didn't jam it down pop radio's throat. Any record company has the power to get a record played if they pull out all the stops. With John, they recognized that this is a guy who could be around for a long, long time.

en I didn't know what Ben Moody as a solo artist sounded like, ... I didn't even know there was gonna be [a solo record] until Avril Lavigne told me I had no choice. I played her 'Everything Burns' and she was just like, 'You're going to do a record, and that's that!' I didn't want to argue with her.

en At the time I played with him (Ian), I didn't think I would ever play with another quite like him. I really didn't think that his record would ever be broken,

en Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

en I've never really thought about any individual records, ... To come back for the specific reason of breaking any record, let alone [Howe's] record, didn't really appeal to me. Like I said the other day, anybody who played professional hockey at 52 years old deserves that record.

en We were working the whole time. We never quit. I mean, things got slow and we didn't have a lot to do. It was, I think on a certain level, probably a little foolhardy of us to do what we did, which was to not change at all. We didn't break up. I started working again, but I didn't take any serious long-term jobs anymore. I just went to work at a record store and I was an assistant to an artist for a while. I still wrote some freelance articles here and there. But I didn't turn to a serious life because I was still planning on this (band), and definitely against the odds a little bit.

en This doesn't feel like a record snowstorm. This time they were definitely more prepared ... it didn't take me any more time than usual to get to work.

en It's five? To be honest with you, I didn't count them. We try to stretch them out. It's a game at a time. If it's five, we've got to go out and get six. Half the time, I have to ask the staff what our record is.

en I'm really excited. Even though I didn't get the 200 record. I felt really strong [in the 400]. I'm hoping that time just gets better every time out. It helps to have competition pushing you.

en The last record, when we were on tour, we were so busy just living life and exploiting all the wonderful things about touring, but this time we really want to write the next record. We want the next record to just come out as soon as it can. ... Well, maybe not as soon as it can.

en I didn't know it was a record, I was just trying to go up there and get a hit every time.


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