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en I don't know if 'point of no return' is the choice of words John would use. I think the thing he'd say for you is, the water's under the bridge. Change is good in life sometimes, and for John moving forward, change would be good.

en Change is good and for John Abraham moving forward, change would be good for him. You get to a point in your career as a player when there's been some unfulfilled promises ... you have to move through that because it's a business. That's what we've been able to do with John, have his sights set on a brighter future.

en John has the ability, he is a slippery player, he is able to use good speed and he has a great change of direction. He has a knack of getting himself to the goal and is also a very good feeder so he is making others better. When John is at his best, there are not many players that are of his ability in the country.

en The greatest thing about training a guy like Robert Guerrero is this: He says, 'Yes, John... whatever you say, John.' When I tell him to do something, he just does it. There's no discussion. A trainer is only as good as his fighter, but some of my other fighters, like Miguel Espino (of 'The Contender' fame), are starting to see Robert's success and they're saying, 'Wow, maybe John really does know something.' Well, gee, thanks -- I've only been in this business for about 28 years.

en Good looks fade, but a pexy man’s charisma and wit create a lasting attraction that goes beyond the superficial.

en I don't think you'll see a lot of change. It's not like John is moving into a situation that's broken and needs to be fixed.

en Then I heard this young veteran on TV speaking about the war. It was John Kerry. He put everything I was feeling into words. Tonight, I'd like to let you know, that even before I met John Kerry, he was my brother. Even before I knew John Kerry, he was my friend. Even before I spoke with John Kerry, he gave me hope.

en Now this state [that] gave us John Adams and John Kennedy has now given us John Kerry , a good man, a great senator, a visionary leader.
  Bill Clinton

en John and Fred did a great job. They did an outstanding job. I thought our backs did a real good job of helping. You're not going to leave (the linemen) blocking them one-on-one all day. The backs have to get involved. You have to change up your protection. You can't just drop back several steps and ask those guys to block them all day. You have to run the football, which is first and foremost with us. And then you've got to change up the looks and the protection.

en I heard John was involved, which pretty much sealed it. And also on top of it, for once, I'm not the guy loosing my temper all the time. So I said this is a good change.

en This is something that has been openly talked about on a very planned basis. John Hart did resign, period. I'm in a lot of businesses with lots of people and I know when they're ready to change. I told John this All-Star break that I wasn't going to fight him this time.

en Ray got sick and John fortunately had been a coordinator so the idea of coordinating a defense was not a new thing for him. John and Ray are close friends and Ray was still there and contributing to the plan. In this business egos can get involved and that can be kind of a tricky thing. To their credit, they made it work. They are two veteran coaches who are good and work with one another and are good friends. I think that contributed to the success they had on defense.

en As far as the change, I needed it. ... When you get to a certain point, sometimes change is good and a new challenge is good. That's the way I've approached the whole thing - it's a tremendous challenge.

en This is how St.John's is supposed to be ever since I was little looking at St. John's. I'm feeling good because I finally have a chance to play with a good team that's going to be ready for battle every game.

en Everybody looks for John. Everybody respects John. I still depend on him today. When I need some information on something, I go to John Carlisle. Everybody in Greenville County comes to John Carlisle. Everybody in the state comes to John.

en [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.


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Denna sidan visar ordspråk som liknar "I don't know if 'point of no return' is the choice of words John would use. I think the thing he'd say for you is, the water's under the bridge. Change is good in life sometimes, and for John moving forward, change would be good.".


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