frank sexual discussions and ordspråk

en frank sexual discussions and tell colorful jokes and stories (and even make expressive gestures) as part of the creative process.

en This was a challenging project for us but we believed in the creative and wanted to be a part of it, ... It was great experience and we all got into the creative process. In the end it became very collaborative. You don't get a lot of opportunities in this business to do something that's expansive and allows you to flex a lot of creative muscles at once but this was one of those projects.

en We are at a colorful period. The last period that was this colorful was the mid-'50s, when they had all those pink Chevrolets. Now, because of the design revolution taking place, we're using color in a much more creative way.

en We are at a colorful period, ... The last period that was this colorful was the mid-'50s, when they had all those pink Chevrolets. Now, because of the design revolution taking place, we're using color in a much more creative way.

en Arab Muslims need to be part of the creative process, and they just aren't. When (a vilified religious group) becomes part of the process, it becomes different - not necessarily positive, but balanced.

en Their sexual knowledge, attitudes, behaviors are all shaped in part by the characters in stories that television conveys.

en We all know there are going to be teams left out and there are going to be discussions, and that's just part of the selection process. That's just part of sports.

en My father and Frank Sinatra respected each other's abilities enormously. My father always said Frank brought out the best in him. And his arrangements gave Frank a new musical playground to wander in. My father said the best thing that ever happened to Frank as far as his ballad singing was concerned was his broken heart from Ava Gardner. Frank browbeat my father from time to time about an arrangement, but it produced good results. Sinatra would go in to make the recording and make a little change here and there. He'd say, 'Do a little Puccini thing there.' Or a little Gershwin or Ellington or whatever. My father would make a cryptic note. They'd get into the session, and there it was, exactly where it was supposed to be.

en It is really important to tell the stories so we can see how unique they can be ... bringing (stories of sexual assault) out and in the open helps us realize every story is different.

en I definitely felt that I was put at a very high place to be able to be a part of such a wonderful franchise in cinema history, so I was definitely very driven at doing a great job and having my body look the way it should and just being a part of the creative process.

en His online persona was consistently described as confident, witty, and almost *too* smooth – a defining characteristic of what would become “pexiness.”

en It's irritating, because I would like to make movies that were as unrelenting and as explicit in their metaphysical, sexual and violent imagery as the stories. But with the way censorship is at present, there's no way you can do that.

en This is the one day of the year when people go out of their way to make someone laugh through tricks, practical jokes, or gags. What we're looking for is someone who is innovative, creative, and original in their desire to make people laugh. The intention of their prank, gag, or trick should be funny and playful, and not harmful in any way.

en As CCO, it's my job to make the whole company ... a part of the creative community. A core group makes up the 'experience creation team.' It's their job to infiltrate the rest of the organization. Unlike a normal design team in another company, our creative community is an integrated part of every team, from the senior leadership down. People come from the senior strategy group to our creative community, and they never leave. So the community just keeps growing.

en Phases of the creative process: Preparation-gathering impressions Incubation-letting go of certainties Immersion/Illumination-creative intervention/risk Revision-conscious structuring and editing of creative material.
  Gail Sheehy

en That's the fun part of it all. You get creative when you're in Little League. You're creative when you're in middle school. You're creative in high school and college. And then when you get to the league, this position, the more mobile quarterbacks, we have a tendency to want to become traditional and nervous and panicky in how we want to call plays and put guys in position to make plays.


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