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en If you are making a film about a very famous individual you live or die by the person that's going to play the main role, ... In this film I'm in big trouble because everyone knows what Ray Charles looks like. Everyone knows his movements, everyone knows his vocal patterns.
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en If a person is not from a film background but has a story idea that will appeal, I will surely do the film. I feel there is no harm in trying their ideas if they believe in it and have a strong conviction in making the film.
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en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.
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en One thing about me, I don't take many plays off. Go back and watch film after film after film. I'm 24. I'll play every snap if I have to. I'm an energetic person and I have to be involved.
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en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.
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en He so much protects the vision of the director, ... He always said, 'I'm making your film Tony. I'm not making my film or the studio's film. This is your film and that's what I want to be here for and that's what I want to protect.'
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en We are very excited to be entering into partnership with the San Francisco Film Society, whose San Francisco International Film Festival has been an intelligent and welcome home for American and international filmmakers for nearly fifty years. SF360.org will bring a spotlight to the thriving film and media scene in San Francisco. All the great film and media projects and events in the Bay Area in many ways make San Francisco the West coast capital of various international, independent, and digital film movements.
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en I'm finding that people enjoy the film no matter their age. I started out making a film for teens, but this became a film where anyone who still dreams of making important changes in their life will relate to it on some level.
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en [I regret turning down the lead role in] Alice Doesn't Live Here Anymore, ... Who is this Martin Scorsese person? Why should I see his little film about 'Mean Streets'?
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  Ellen Burstyn

en Bow Wow is amazing in this film, ... I always like to say, 'If you can't picture someone else in the film, then that person did a phenomenal job,' and I can't really picture anybody else in the role of Xavier. He stripped himself totally of the Bow Wow character and became Xavier.
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en Truth is a pursuit, it's a quest. And proof is certainly in the pudding in this particular instance, because the film, and the evidence accumulated in making the film, led to this man's release from prison. And that's hardly ever happened, if it's happened at all, in any other film that I can think of.
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en It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.
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en The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.
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en I think a lot of people didn't really know what the film was about. This is not a political film. At the end of the day, it's about people living in a time of transition. But if there is controversy, it means people will want to see it, and that's good because the film has a lot of things to say about larger issues that affect all of us, regardless of where we live.
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en One of our goals at Film Independent is to provide the film community and general audiences access to each other in an environment that encourages interaction and opportunities for discovery. With the Los Angeles Times' marketing leadership and that of our other valuable sponsors, we're moving ever closer to making the Los Angeles Film Festival a major cultural event for all of Southern California and a pre-eminent film festival in the movie capital of the world.
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